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Canadian Punks the Dirty Nil Crack the Whip Again

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Canadian Punks the Dirty Nil Crack the Whip Again


Luke Bentham, guitarist and vocalist in Hamilton, Ontario, rock outfit the Dirty Nil, was in the basement caverns under the Vatican when he glimpsed something that changed the direction of his band. It was a series of bronze reliefs by Francesco Messina, depicting the horrors of war. Amid the six pieces in the series, one in particular grabbed Bentham: It showed two men in desperate hand-to-hand combat, grappling to get control of a knife. “It was the hardest piece of art I’d seen in a very long time,” says Bentham.


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He and Nil co-founder and bandmate, drummer Kyle Fisher, tried to obtain the rights to use the image for the cover of their new record, The Lash, but the Vatican wasn’t having it. “We got a cease and desist from the Vatican, and their lawyers are no joke,” Bentham says with a grin.

Still, before he left, Bentham snapped a picture of Messina’s sculpture on his phone, and it hovered over the creation of The Lash like a twisted idol. “It definitely fired me up musically for some reason,” he says. “It’s rare that I’ll see something and it’ll make me want to play my guitar a certain way, but this is one instance where it came to pass that way.”

Messina’s work took Bentham somewhere vicious and primal. It pulled him back to some of the sounds the Nil had explored earlier in their 14-year career: white noise, feedback shrieks, “sheet-metal-shaking distortion.” It made Bentham think of the work of the Jesus Lizard’s Duane Denison. “Something about this cold, metallic, brutal piece of art made me play guitar a bit more angularly, and with a much higher threshold and acceptance of microphonic and horrible feedback than I’ve been looking for on our last few albums,” he says.

Bentham’s live rig has been the same for more than a decade: a Les Paul Custom into a Marshall 1959SLP, with a Pro Co RAT or two in between.

Photo by Tom Oddballs

Enter The Lash, a scummy, barbwire-scraped slab of punk rock ’n’ roll, scarred with white-hot slashes of classic metal, hardcore, thrash, and garage rock. After the radio-ready melodies and tidy production of 2021’s Fuck Art and 2023’s Free Rein to Passion, The Lash feels like a triumphant return to the basement. “I’m incredibly proud of this record because we made it because we wanted to,” says Bentham. “I’m not a big believer in the idea that tension makes good records.”

“Something about this cold, metallic, brutal piece of art made me play guitar a bit more angularly, and with a much higher threshold and acceptance of microphonic and horrible feedback.”

To honor that energy and bring The Lash to life, Bentham and Fisher bailed on the higher-budget trappings of their previous records and went back to basics, working with local engineer and powerviolence musician Vince Soliveri at Boxcar Sound in Hamilton. When it came time to record Bentham’s vocals, Soliveri had a strange-looking mic set up. “I was like, ‘What’s this microphone? Is it something you like to use for vocals?’” Bentham recalls. “Vince was like, ‘I have no idea what it is. It just looked cool, so let’s try it out.’”

He continues, “I think Vince’s attitude towards that specific thing is a pretty good indicator of how we approached making this record, which was different from the ‘tried and true’ way we’ve made our last few. There are trade-offs when you enter that world, and complexities that enter your life and your band when it comes to staying in that world. With pretty much all of our previous records, there’s been some sort of behind-the-scenes animating force to make it a certain way or an internal pressure: ‘If we do this, then maybe we can get that.’ We basically decided for ourselves that we had fun, but we are leaving the casino.”

Luke Bentham’s Gear

Guitars

1975 Gibson Les Paul Custom

Shyboy T-style (studio)

1952 goldtop Gibson Les Paul (studio)

Amps

Marshall 1959SLP w/ Marshall 8×10 cabinet

Ampeg VT-22 (studio)

Fender Deluxe Reverb (studio)

Vox AC4 (studio)

Effects

Various Pro Co RAT models

Electronic Audio Experiments 0xEAE Boost

Strings & Picks

Ernie Ball Power Slinky (.011–.048)

Dunlop .73mm picks

Those “internal pressures,” which are skewered on the new track, “Rock N’ Roll Band,” were jettisoned this time. With The Lash, the philosophy was simply, “Let’s just make a record, see what happens,” Bentham says. “It’s been a long time since I found myself in that headspace, I think probably since we made ‘Fuckin’ Up Young’ and all those songs 14 years ago.”

“We basically decided for ourselves that we had fun, but we are leaving the casino.”

Still, The Lash has moments unlike anything the Nil have produced to this point. The slow, cornered-animal growl of “This is Me Warning Ya” and the haunted-house romance of “Spider Dream” are two of the record’s doglegs into the softer end of the macabre. And the stomping “That Don’t Mean It Won’t Sting,” is unexpectedly intro’d by cello and xylophone, thanks to violinist and friend Sara Danae.

Even as the band has grown, Bentham’s rig has scarcely changed. His calling-card tone for the past decade has been a 1975 Gibson Les Paul Custom, tuned to E-flat standard, through a Pro Co RAT (or two, with the second set to “drop the hammer”) and into a Marshall 1959SLP head and a Marshall 8×10 cabinet. Bentham admits he’s pretty hard on his guitars—the ’75, which has a stock pickup in the neck and an early production DiMarzio Super Distortion in the bridge, has had its headstock broken on more than one occasion.

While recording The Lash, though, Bentham changed things up. Rather than the usual RAT pedals, he leaned on the Electronic Audio Experiments 0xEAE Boost, which he describes as the most “extreme” dirt pedal he’s used to date. “That pedal is absolutely brutal,” he says with a smile. For the record’s violent feedback, Bentham and Soliveri borrowed one of producer John Goodmanson’s tricks: Split the guitar signal via an A/B box, send one signal to the amp being tracked in an isolation room, and another to a 5-watt amp in the control room. The feedback generated from the small combo jumps back through the pickups, and out to the stack in the isolation room (a Vox AC4 helped out for those purposes). For clean tones, meanwhile, Bentham called on his godfather’s 1952 Les Paul goldtop and a Shyboy Telecaster copy, both running into an Ampeg VT-22. The Ampeg’s reverb, along with the onboard effect from a Fender Deluxe Reverb, is the only coloring Bentham applied besides his dirt.

“There are so many distractions and complications as you navigate a career in music, but you must return to the simple joy of a howlingly distorted Les Paul Custom E chord as your guiding light.”

The RAT, by the way, is still Bentham’s one true love in live settings. “I’ve learned not to mess with my rig, which has served me very well for basically 12 years now,” he says. “It’s never ceased to put a smile on my face to plug into my plexi with my Custom, turn it up, and play an E chord. If that doesn’t make me happy, then I’m probably done with rock ’n’ roll, because that’s what this whole thing is. There are so many distractions and complications as you navigate a career in music, but you must return to the simple joy of a howlingly distorted Les Paul Custom E chord as your guiding light.”

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On his long-running video tutorial series Let ’er Riff, Bentham breaks down the tricks behind the foundation-shaking fury of The Lash’s opening track, “Gallop of the Hounds.

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NIL

Washington QB Demond Williams Jr. Reverses Course, Returns to Huskies

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After a hectic 48 hours, quarterback Demond Williams Jr. is staying put at Washington.

Williams announced Tuesday that he intended to enter the transfer portal, but reversed course Thursday night, revealing on social media that he will remain with the Huskies.

“After thoughtful reflection with my family, I am excited to announce that I will continue my football journey at the University of Washington,” Williams wrote. “I am fully committed and focused on contributing to what we are building.”

The standout quarterback became the latest face of the debate surrounding name, image and likeness (NIL) and its enforcement when he announced that he was entering the transfer portal. Williams’ announcement came just four days after he signed an NIL deal to remain at Washington that was reportedly worth $4 million for one season. 

It was reported shortly after that Washington planned to pursue legal action against Williams for breach of contract. Williams’ agent, Doug Hendrickson, dropped him as a client on Thursday. 

“I have made the decision to end my representation of Demond Williams Jr. effective immediately due to philosophical differences,” Hendrickson wrote in a social media post. “Demond is an incredible talent and we wish him and his family the best in their future endeavors.”

Hendrickson is also the agent for Washington head coach Jedd Fisch. 

Williams just completed his sophomore season at Washington, which was his first as the Huskies’ full-time starter. He helped Washington go 9-4, completing 69.5% of his passes for 3,065 yards, 25 touchdowns and eight interceptions. He also proved to be one of the top dual-threat quarterbacks in the country, rushing for 611 yards and six touchdowns. 

Demond Williams Jr. finds Denzel Boston for a 23-yard TD

Demond Williams Jr. finds Denzel Boston for a 23-yard TD

Following a strong first season as a starter, Williams has been viewed as a potential Heisman candidate for the 2026 season. FOX Sports lead college football analyst Joel Klatt placed Williams fifth in his initial Heisman rankings for next season. 

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Demond Williams Will Return to Washington Despite Contract Dispute

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Washington quarterback Demond Williams shook the college football world on Tuesday night, as ESPN’s Pete Thamel reported that the dynamic dual-threat quarterback was set to enter the transfer portal just a week after signing a lucrative NIL agreement to remain at Washington. Now, after days of controversy surrounding his next career move, Williams will remain with the Huskies after all.

Williams announced his return via social media, just minutes after a report by ESPN’s Pete Thamel that he was leaning towards remaining at the school.

“After thoughtful reflection with my family, I am excited to announce that I will continue my football journey at the University of Washington,” Williams wrote. “I am deeply grateful to my coaches, teammates, and everyone in the program for fostering an environment where I can thrive both as an athlete and as an individual.

“I am full committed and focused on contributing to what we are building.”

In his statement, Williams also apologized for the timing of Tuesday’s decision to enter the transfer portal, which took place while much of the football team was attending a celebration of life for Huskies soccer player Mia Hamant, who died from a rare form of kidney cancer in November.

Forde: Lane Kiffin Once Again Pushes Boundaries in Demond Williams Jr. Saga

“Over the last few days, Demond and I have engaged in very honest and heartfelt conversations about his present and future,” Washington coach Jedd Fisch said in a statement. “We both agree that the University of Washington is the best place for him to continue his academic, athletic and social development.”

Williams’s agreement with the Huskies is reportedly worth around $4.5 million, and Washington was reportedly prepared to pursue legal recourse if he did not honor the deal. Lane Kiffin’s LSU program was the program most frequently attached to Williams, but now will look elsewhere to fill its quarterback position for 2026.

The decision comes hours after Williams was dropped by his agent, Doug Hendrickson of Wasserman Football. He also retained lawyer Darren Heitner, who has become a regular figure in college athletics eligibility cases during the NIL and transfer portal era.

GameDay host Rece Davis mentioned that there will have to be some fences mended between Williams and Washington. Before Williams’s ultimate decision to return, Matt Zenitz of CBS Sports reported that the program “would still welcome Demond Williams back to the team and is still hoping for him to remain with the program.”

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Williams committed to play for Fisch at his home-state program Arizona, transferring to Washington when Fisch took the job following the departure of Kalen DeBoer. He played in 13 games as a freshman, accounting for 1,226 total yards and 11 touchdowns before taking over as full-time starter in 2025.

Williams totaled over 3,600 yards and 31 touchdowns as a sophomore under Fisch.

Season

Comp %

Pass Yards

YPA

TD

Int

Rush Yards

TD

2024

78.1

944

9.0

8

1

282

2

2025

69.5

3,065

8.7

25

8

611

6

Williams was an honorable mention All-Big Ten selection behind Indiana’s Fernando Mendoza, Ohio State’s Julian Sayin and USC’s Jayden Maiava in a conference stocked with passing talent.

Now, he will be back for a third Big Ten season rather than make a controversial jump to LSU or another program.

More College Football on Sports Illustrated

Listen to SI’s new college sports podcast, Others Receiving Votes, below or on Apple and Spotify. Watch the show on SI’s YouTube channel.






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Transfer portal drama is overshadowing the actual College Football Playoff

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Miami vs. Ole Miss score, live updates: Trinidad Chambliss puts Rebels ahead with TD pass

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Q4 3:13 – Ole Miss 27, Miami 24

Huge mistake by Miami again. Trinidad Chambliss fires incomplete toward Harrison Wallace III but Ja’Boree Antoine had a hand full of jersey, drawing a pass interference penalty.

Three plays later, after a 19-yard scramble by Chambliss, Ole Miss finds the end zone. Chambliss calmly connects with Dae’Quan Wright for a 24-yard touchdown to put the Rebels up by a point.

The two-point conversion is good too as Chambliss finds Caleb Odom wide open.



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Troy Aikman convinced Joe Buck not to fund Indiana football

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Demond Williams announces he’ll return to Washington for junior season

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Demond Williams Jr.’s dalliance with the transfer portal has come to an end.

The Washington quarterback, who announced Tuesday that he planned to enter the portal despite signing a contract with Washington four days prior, wrote in an Instagram post Thursday that he is “excited to announce that I will continue my football journey at the University of Washington.”

Williams wrote that the decision came “after thoughtful reflection with my family.”

Williams’ return ends a two-day saga over the quarterback’s status.

Williams signed a contract agreeing to return to the Huskies in early January, a Washington source close to the negotiations told The Athletic on Tuesday night. Yet, Williams said in an Instagram post Tuesday that transferring was “best for me and my future.” Williams had not filed any paperwork with Washington compliance officers to have his name entered into the portal before making his announcement on social media.

Washington sources told The Athletic after Williams’ announcement that the program had “no intention” of releasing the quarterback from the contract he signed Jan. 2 and was prepared to pursue legal action to enforce the terms of the contract, according to a person briefed on the situation.

On Thursday night, ESPN reported that Williams was “leaning toward returning,” and a Washington source told The Athletic that the program was willing to “take back” its star.

Shortly after Williams posted that he was returning, Washington head coach Jedd Fisch and athletic director Patrick Chun also released statements on social media confirming Williams’ return.

“Over the last few days, Demond and I have engaged in very honest and heartfelt conversations about his present and future,” Fisch wrote. “We both agree that the University of Washington is the best place for him to continue his academic, athletic, and social development.

“I appreciate Demond’s statement. I support him, and we will work together to begin the process of repairing relationships and regaining the trust of the Husky community.”

Chun wrote that the situation was “emblematic of the many current issues in college sports,” adding, “It is critical in this post-House, revenue-sharing environment that contracts with student-athletes are not only enforced but respected by everyone within the college sports ecosystem.”

Leaving Washington after signing a contract could have potentially been costly for Williams.

The Big Ten has a revenue-share contract template that its schools use, varying slightly based on different state laws or individual negotiations. Those contracts state that if a player intends to transfer before the end of a payment period, he owes the remaining amount on his contract, unless the school agrees to accept a buyout from the player or the player’s next school, according to multiple copies obtained by The Athletic. The contracts also state that the school is “not obligated” to enter a player into the portal.

In this case, Williams would likely have owed Washington $4 million for the one-year deal if his deal was based on those templates. The buyout also could have counted toward his next school’s revenue-sharing cap, according to Collegiate Sports Commission rules.

However, it’s unclear if such contracts would hold up in court. Williams obtained the services of noted NIL lawyer Darren Heitner earlier Thursday, but it doesn’t appear this will be challenged. Former Georgia defensive end Damon Wilson II last month sued Georgia’s athletic association over its attempt to get $390,000 from his decision to transfer last year. The case is ongoing.

Big Ten officials held a call with the conference’s athletic directors earlier Thursday to assure them that the league office would support Washington in its enforcement of the contract, according to a person involved in the meeting.

Williams followed Fisch to Seattle two years ago after committing to Arizona out of high school. However, before signing with Fisch at Arizona, Williams initially committed to Ole Miss and Lane Kiffin in late 2022. He de-committed the following summer. Williams started the 2025 season, with Fisch not holding back the hype for his quarterback entering the season.

“I would probably say, at this age, not even 19, he’s the best player I’ve ever been around,” Fisch said on the “Until Saturday” podcast last spring. “… My goal from when I started recruiting him in high school, and I told him this, we’re going to partner up and find a way to be in New York City when it’s time for the Heisman.”

Williams has thrown for 4,009 yards and 33 touchdowns against nine interceptions, adding 893 rushing yards and eight rushing touchdowns in 26 career games at Washington. In his first season as the starter, he passed for 3,065 yards and 25 touchdowns, earning All-Big Ten honorable mention honors.





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