The idea of adolescence as a horror story is not new, but it’s given a splashy workout in Charlie Polinger’s queasily stylish debut feature, in which the swimming pools, lockers rooms and bunk-bed dormitories of a boys’ water polo camp are a puberty petrie dish livid with sinister bacteria. Drawn from experience and benefiting from some standout performances among its well-selected young cast, “The Plague” has a familiar coming-of-age narrative, but stranger, subtler undercurrents of creeping dismay at the men these boys will become when, at this formative age, cruelty chlorinates the water they swim in.

Sensitive, 12-year-old Ben (Everett Blunck) comes to the Tom Lerner Water Polo Camp in the summer of 2003 as an outsider twice over. He’s not only joining after the second session has started, he’s also a new arrival to the area. And, as we understand from an early conversation with his affable but ineffectual coach (Joel Edgerton, who also produces) a reluctant one: there’s hurt in the studied neutrality of his tone when he describes how his mother uprooted their lives to be with her new lover. Perhaps the wrenching change-up of father figure fuels Ben’s anxiety to fit in, but also maybe that’s just the way he is. When one of the kids’ endless games of would-you-rather makes him choose between “not fucking a dog but having everyone think you did, or fucking a dog and no one knows,” Ben opts for, well, screwing the pooch.

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In any wolf pack, the Alpha is obvious and even among these cubs, Jake (a superb Kayo Martin) is easily identifiable as the ringleader. Deceptively cherubic beneath a shock of tousled strawberry blonde hair, and wearing a surprisingly adult expression of skeptical watchfulness, Jake is initially friendly enough to the newcomer — at least once Ben begins answering to the nickname “Soppy,” devised after Jake picks up on his very minor speech impediment.

There’s an easier target for Jake’s lazy but keen-eyed ridicule. Eli (Kenny Rasmussen) was presumably already an oddball — into magic tricks and solo flailing dance moves and lurching non-sequitur conversation — even before he developed a disfiguring skin complaint. The angry-looking rash that covers his arms and torso is probably some sort of eczema or contact dermatitis, but the boys are still of an age to be fascinated by lepers and curses and so Jake declares it “the plague.” Eli is ostracized, to the point that all the kids dive for another cafeteria table if he so much as pulls up a chair.

Good-natured Ben, in the throes of a panicky uncertainty that from the outside is sweetly poignant, if only because it will be gone in a year or a month or a minute, feels for Eli’s predicament— possibly more than the quite contentedly peculiar Eli does for himself. But as he barely has enough social capital to guarantee his own acceptance into Jake’s circle, Ben befriends the outcast cautiously, away from prying eyes. It’s fine to make taboo transgressions if nobody knows about it.

DP Steven Breckon punctuates “The Plague” with interludes of woozy underwater photography, in which the boys’ bodies dagger into the pool and then tread water, resembling so many headless sea horses. Sometimes, while Johan Lenox’s excellent, ’70s horror-inflected, nightmare-choir score reaches a bombastic crescendo, the girls of the synchronized swimming class who share the pool and fire the boys’ crude erotic imaginings, are shown inverted, so they appear to be dancing floatily across the water’s underside surface. These subaquatic symphonies give a touch of the phantasmagoric to a milieu that’s otherwise cleverly recreated from the banal remembered details of an early noughties childhood: the Capri-Suns, the pop tunes, that brief phase where kids believe that smoking kitchen-cupboard nutmeg will get them high.

Perhaps too the subjective nature of Polinger’s memory of a time when the peer-group dynamic was so much more influential than any peripheral authority figure, accounts for why these kids are so often unconstrained by adult supervision. Jake naturally takes advantage of that freedom to continue his offhand reign of terror, one he can maintain without ever really lifting a finger. Almost all of the violence in “The Plague” is self-inflicted and therefore easily disavowed by this tweenaged tyrant – a character so vivid that it’s tempting to imagine a more provocative movie told from the bully’s perspective. But as “The Plague” ramps up to an impressively eerie, body-horror-styled finale, it takes a rather more expected turn toward a significant, if hardly triumphal moment of personal growth for unhappy camper Ben. Teetering on the brink of adult society with its own bewilderingly insidious notions about masculinity and conformity, you can dive in or you can be pushed, and it’s only then you can know if you’ll sink or swim.

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12

By Jonathon Zenk, Northwestern State Assistant Director of Communications; featured photo courtesy of the Southland Conference

HOUSTON—Is two consecutive Southland Conference outdoor championships and five out of six indoor/outdoor championships a dynasty?

The Northwestern State women’s track and field team dominated the field en route to rolling to the second straight indoor championship after not winning it at all up until that point.

“Each group is special each year,” head coach Mike Heimerman said. “This group bought into everything. There are a lot girls who this is their third, fourth or even fifth championship, which is great, They are all a little different and very special. This one, they worked for it and took directions from day one and didn’t take their foot off the gas. It was phenomenal.”

Despite the team having the win in the bag, the women’s 4×400 relay race was a microcosm of the entire meet. The Lady Demons were in a fight early, but Samari Finney took control of the race in the third leg and Maygan Shaw took it home, defeating the field by more than six seconds, as the Northwestern State rolled to 180.5 points, winning the meet by 63, the largest point difference between Nos. 1 and 2 since 2019 when Stephen F. Austin won by 72 points.

The 4×400 relay was one of five gold medals won by the Lady Demons on the final day of competition, four of which involved Shaw, who leaves Natchitoches as one of the most decorated athletes to ever don a Lady Demons uniform.

The senior from Pineville not only was a member of the 4×400 relay team, she also won gold as a member of the 4×100 relay and won individual races in the 200 and 400.

In the 400-meter dash, she and Finney each found the podium, placing first and third, respectively. Shaw was in a dogfight for the title, but ultimately pulled away with an SLC meet-record 52.10, edging out Southeastern Louisiana’s Onyah Onyinye Favour (52.54) for the gold, while Finney ran a 54.05 to capture the bronze.

Margaret Conteh (56.04) and Tranasia Jones (57.19) placed fifth and seventh in the finals, respectively, to earn points for the Lady Demons.

Shaw also collected the gold in the 200, edging out UTRGV’s Jizzale Davis (23.70) with a 23.47. Finney also earned the bronze in the 200 as well (23.98), eeking out a podium spot over SLU’s Marvellous Asemota.

To start the running events, Shaw, along with Finney, Dynia Lewis and Sileena Farrell, won the 4×100 with a 44.88, edging out Stephen F. Austin (45.11).

The other gold on Saturday came from Jaslyn Smith, who not only won gold, but a spot in regionals with a final jump 42-0.5 in the triple jump.

“It was so exciting,” Smith said. “I even cried, and I don’t ever cry. It was a lot to take in. I have so much support from my team and my family, encouraging me to keep my head up high. It is just happy moment in a really happy day.”

While she didn’t win the gold, Shakera Kirk brought home the silver in the women’s discus, leading three Lady Demons who earned points. She was joined by Tahisha Thompson (156-08) in sixth and Shanice Hutson (153-04) in eighth.

Silet Gray (400 hurdles), Farrell (100-meter dash) and Raven-Symone Jarrett (100 hurdles) also found the podium for the Northwestern State women.

Gray (1:01.80) and Farrell (11.58) each grabbed silvers as the lone Lady Demon running in the events.

“There were so many people who stepped up and that is what it takes to win,” Heimerman said. “These girls did just that. Between Coach (Adam) Pennington and myself talking to them in the meetings on what they needed to do, they executed it almost perfectly.”

Jarrett (13.81) collected the bronze in the 100 hurdles with a 13.81. Lewis finished sixth in the finals with a time of 14.25.

On the men’s side, both relays as well as Dishaun Lamb (110 hurdles), William Achee (400-meter dash) and Tavis Wilson (100-meter dash) made the podium.

Each relay lost close battles for the gold. In the 4×100, the Demons clocked a 39.53, only bested by East Texas A&M’s SLC meet record time of 39.36.

ETAMU again edged out the Demons in the 4×400, running a 3:06.86 to Northwestern State’s 3:07.01.

Lamb clocked a 14.14 to earn the silver, while Achee came from way back in the pack to fight to earn the silver with a time of 46.91. Desmond Duncan ran a 48.61 to finish in eighth.

Wilson collected the bronze in the 100 with a time of 10.39.

Elijah Rowe placed eighth in the 200, clocking a 21.41.

Over on the field, Randy Kelly finished fourth in the high jump (6-8.25), while Justin Craft placed eighth in the discus (154-05).

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