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Ukrainian documentary Fragments of Ice uses Soviet

With her film Fragments of Ice, director Maria Stoianova turns towards a family archive in order to tell a broader story about freedom, dreams and heartache. Growing up in the Soviet Union, Stoianova’s family was in a unique position: her father was a figure skating star, which opened up not only opportunities to travel but […]

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Ukrainian documentary Fragments of Ice uses Soviet

With her film Fragments of Ice, director Maria Stoianova turns towards a family archive in order to tell a broader story about freedom, dreams and heartache. Growing up in the Soviet Union, Stoianova’s family was in a unique position: her father was a figure skating star, which opened up not only opportunities to travel but also access to a video camera. Drawing on 15 tapes created during a period spanning the 1980s and 1990s, Stoianova creates a unique archival project that not only tells the story of her family, but the story of Ukraine, from its role within the Soviet Union to its independence, leading us to the war that plagues the region today.

When Stoianova decided to first revisit these home movies as an adult, long before she imagined making a film, she worried they’d be boring. “What do we judge as the first time?” she says. “I watched them for the first time as a child but we never rewatched them. They were quite distant to me, like something from a previous life.”

It was only later that she realized how unique these tapes were; none of her friends or classmates had video footage of their childhoods. “That’s the strange thing: What is so very close to us might be underestimated.”

Fragments of Ice
Fragments of Ice

She remembers seeing the films again for the first time as an adult. One day she was visiting her father and he had recently digitized them. “The first scene I watched was basically this communist and capitalist having a conversation on the plane. That struck me because it was great filming and a very interesting conversation filled with all kinds of tension. That was the first step towards rewatching everything and the thought of a prospective film. It gave me this sense of tension about how this footage was perceived back then and how we perceive it now, and also the dynamics of how we change and how our perceptions change. Why do we feel the way we do? Why did my father film?”

Incorporating other archival footage as well as contemporary images, the film reaches towards big questions — not only about society, but the very idea of memory itself. Drawing on family and personal archives, rather than images created by those in authority, inevitably reframes political events with a different gaze. Even the medium itself becomes an object of reflection. How does a home movie on 8mm differ from a video captured on an iPhone? There’s a question of texture; how does one medium’s haptic quality come to shape our perception? What happens to our relationship to captured images in a world overwhelmed by them? 

More than just a personal reflection, this question seems to resound amid the current war in Ukraine, which has been called the most “documented” war. How has that shaped public perception of what’s happening on the ground, or has the overwhelming weight of images only served to desensitize people to its impact? “Unlike most wars from before, we have footage from the people,” Stoianova says. “I’m sure it contributes to a kind of entropy. It’s a lot of footage and it grows bigger and bigger.”

The question of what is filmed also raises the question of what isn’t. “Cinema itself is very much about absence. It’s structured around absence — something you want to communicate but can’t. You can’t see it. You can’t grasp it.”

Stoianova explains that even the title of the film alludes to this idea, and the question of melting ice. “I think of absence a lot. One of the first ideas that I found very interesting was that, ‘Okay, my father filmed a lot, and then he filmed less, less and less. What does it mean and how can I show it?’”

fragments of ice maria stoianova interview documentary film

Much of the film is shaped in the editing room, and early on, Maria Stoianova worked with Viktor Onysko. “He watched the footage for the first time, of course, making notes and organizing footage. It was very interesting to watch the film through his eyes. We talked a lot about very personal things, about his father and his daughter. He also reflected on his memories of this late Soviet time and his perception. By the end of our first session, we had half of a rough cut, including an intro.”

Stoianova and Onysko planned on doing a second session in the spring of 2022, but that never happened. “Vickor went to the army. It was turbulent for everyone during that year. I didn’t think about coming to the film, maybe sometime in the future. Then in December, we get the tragic news that Viktor died.”

Editor Maryna Maykovska agreed to fill in. “I had a treatment already with this idea of the general dramaturgy and what I want, but the full scale invasion changed my approach,” Stoianova explains. “It gave me a second track; the first track was this vision of Paradise, the imaginary West, as I labelled it. The second track was hidden for me before the invasion and then it took more place in the film.”

This second thread was shaped around the question of identity. What does it mean to be Ukrainian? “How do we fit in with the West? It’s something strange, reinventing yourself in new circumstances to redefine your belonging. Where are you and where do we belong? They desire that we have this colonial identity or this mixed identity. It’s not a real identity.” ■

Fragments of Ice (directed by Maria Stoianova )

Fragments of Ice is now playing in Montreal theatres. There will be a screening with Maria Stoianova at Cinéma Moderne on Sunday, May 25.


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Volleyball to Celebrate 50 Years in 2025 – Ole Miss Athletics

OXFORD, Miss. – The Ole Miss volleyball program is set to honor the many who have impacted the program as it celebrates fifty years in advance of the 2025 regular season.   Throughout the entirety of the 2025 season, Ole Miss athletics and the volleyball program will honor and recognize many who have contributed to […]

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OXFORD, Miss. – The Ole Miss volleyball program is set to honor the many who have impacted the program as it celebrates fifty years in advance of the 2025 regular season.
 
Throughout the entirety of the 2025 season, Ole Miss athletics and the volleyball program will honor and recognize many who have contributed to the success and legacy of the program.
 
Fans also have the opportunity to ensure success over the next 50 years of Ole Miss volleyball by donating a $50 gift to the Grove Collective in support of the program.
 
The program has tallied over 800 wins, reached five NCAA Tournaments and won the 2017 NIVC championship. Nineteen student-athletes have earned All-SEC honors, 16 have earned AVCA All-Region and three have been named All-Americans as the program has blossomed over generations of standout student-athletes.
 
The success of the program has built on the foundation of countless student-athletes who have gone on to earn a degree from the University of Mississippi and take their talents throughout the world.
 
Be sure to follow OleMissVB on all social platforms and stay tuned for content throughout the season featuring former coaches and players.
 
Get rewarded for attending events by joining Rebel Rewards powered by Coca-Cola, the official fan loyalty program of the Ole Miss Rebels. Download the Ole Miss Sports mobile app, sign up for a Rebel Rewards account, and start earning points immediately that can be redeemed for exclusive prizes and experiences.
 
Keep up with all the latest news and information on the Rebels by following Ole Miss Volleyball on X at @OleMissVB, on Instagram at @olemissvb and on Facebook at Ole Miss Volleyball. See exclusive photo and video content from behind the scenes and connect in real time with everything Ole Miss.
 





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Shipyard park in Green Bay to include climbing wall, volleyball courts

The next phase of The Shipyard redevelopment could bring a new dog park, large concert venue and beach volleyball courts to the area along the Fox River. Construction of a 225-unit apartment will start this year, but work on the second phase of improvements won’t start until 2026. Renderings of The Shipyard park’s features were […]

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The next phase of The Shipyard redevelopment could bring a new dog park, large concert venue and beach volleyball courts to the area along the Fox River.

Construction of a 225-unit apartment will start this year, but work on the second phase of improvements won’t start until 2026.

Renderings of The Shipyard park’s features were revealed at the city’s Parks Committee meeting July 9. The new park would include:

  • An exercise area with a climbing wall and areas for yard games
  • Dog park in a fenced area
  • A couple beach volleyball courts suitable for leagues or multiple teams along the Fox River
  • Plenty of outdoor and terraced seating areas
  • A kids’ playground
  • Shipyard-themed art sculpture
  • Concession stand
  • Splash pad with music and LED lighting
  • Stage and lawn area to hold shows for up to 4,000 people

Some of the playground equipment would be themed like a crane or boat to uniquely represent The Shipyard area.

City parks director Dan Ditscheit said the consultant is 50% done with the design so the renderings of the new park could change.

“This gives you the general character of what we’re looking at,” Ditscheit said.

Construction of the park is scheduled to begin in spring 2026. About $10 million, including $5 million through a federal Land and Water Conservation Fund Grant, will go toward this phase of Shipyard improvements.

Under the first phase of improvements, to The Shipyard, a riverfront promenade, fishing pier, floating docks and kayak launch were installed along the Fox River in 2024. Merge Urban Development will get started on constructing a 225-unit, three building mixed-use project this year. The first two buildings will have 109 units that will be connected through a skywalk.

The final, third phase of Shipyard redevelopment, if the city finds funding for it, would create an outdoor market area consisting of shipping containers around the park, Ditscheit said.

Contact Benita Mathew at bmathew@gannett.com.



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NWC volleyball hosts high school camp

Northwest College kicked off its summer activities in June with a camp hosting high school athletes from around the region, led by new coach Nicole Buck alongside former NCAA Division I men’s volleyball coach Tom Peterson. Over the three day camp, the Trappers welcomed in several dozen high schoolers to Cabre Gym, while also hosting […]

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Northwest College kicked off its summer activities in June with a camp hosting high school athletes from around the region, led by new coach Nicole Buck alongside former NCAA Division I men’s volleyball coach Tom Peterson.

Over the three day camp, the Trappers welcomed in several dozen high schoolers to Cabre Gym, while also hosting younger athletes at Powell Middle School with local high school coaches.

“It was really nice to have that many girls because you just want to be able to grow the sport of volleyball, and you want kids to be able to take advantage of opportunities,” Buck said. “Then it just gives us a chance to see what kind of talent and potential is out there in the next few years, kids that we might be able to recruit. It’s good to have some of our incoming and returning athletes here too, to kind of evaluate and see what kind of kids caught their eye as well.”

Helping with the camp was Peterson, a two-time NCAA Division I national champion and now NCAA Division III national champion coach who brought his experience to the gym and gave the high schoolers an opportunity to learn from one of the best coaches in the country.

“It’s really incredible to have Tom here. I mean, we were joking because after they won the national championship, a couple of his athletes asked Chat GPT who were the top 10 greatest volleyball coaches of all time, and he was listed as No. 2,” Buck said. “It’s just kind of cool. He obviously has so many years of experience and so much knowledge that even though I’ve known him for so many years, I learn something new every time I’m around him. And I love that the kids can have that opportunity too.”

She said bringing in Peterson pushed the camp to another level, bringing out more competition from the players that allowed them to stretch their abilities and find that next level.

Holding this camp so early in the summer, Buck said it allowed her to get new connections in the area heading into her first season as the Trapper coach, and get a better understanding of the athletes who are soon to be graduating.

“It helps build the recruiting pool for sure. I walked away with probably 10 new contacts that I didn’t really have, and it helps me better understand our local kids and coaches too,” Buck said. “I love getting local kids when we can, it helps build those relationships. Recruiting is such a numbers game, and so it just adds more numbers and you get to see for yourself, instead of just on film, what some of these kids are capable of.”

After the camp, Buck is hopeful the campers took a number of things back with them to their high school seasons, whether that be new skills or drills, along with a new sense of understanding why they train the way they do.

“Tom and his player, they don’t just talk about skills or philosophies,” Buck said. “They really help the kids try to understand kind of the why behind things and maybe, why do we do it this way in this situation? They do a lot of situational training, so I just hope they take away having their mind stretched as much as their physical abilities.”

She said it was a blessing to start the summer with the camp, and said it was important to have so many kids see the campus.

“I think it was a good thing for our community and our school, and I’m excited that more and more kids are getting on our campus,” Buck said. “I hope they also take away that Northwest is a pretty cool place to be.”





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Volleyball Reveals Challenging Slate For 2025

CONWAY, S.C. – Twelve home matches and nine matches against teams that competed in the 2024 NCAA Tournament highlight the 2025 Coastal Carolina volleyball schedule released Thursday.     The 2025 campaign features 28 contests, comprising 12 non-conference and 16 Sun Belt Conference matches. The Chanticleers will host three power conference teams (Maryland, North Carolina, […]

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CONWAY, S.C. – Twelve home matches and nine matches against teams that competed in the 2024 NCAA Tournament highlight the 2025 Coastal Carolina volleyball schedule released Thursday.  
 
The 2025 campaign features 28 contests, comprising 12 non-conference and 16 Sun Belt Conference matches. The Chanticleers will host three power conference teams (Maryland, North Carolina, South Carolina) and travel to two others (Miami, NC State) before beginning league play the last weekend of September.  
 
“We were able to put together a challenging non-conference schedule for the 2025 season that will prepare us for a robust Sun Belt slate,” Chanticleer head coach Steve Loeswick said. “We’re proud to welcome some top-tier programs to Conway this fall and showcase an elite level of competition to our community in our pursuit of another championship.” 
 
The 2025 campaign begins at home with Labor Day weekend matches against Maryland (Aug. 29) and North Carolina (Aug. 31), before hosting South Carolina (Sept. 3) to conclude its season-opening three-match homestand.  
 
The Chants will be on the road for the remainder of the month, heading first to Davidson, N.C., for three matches in the Wildcat Classic (Sept. 5-6), then traveling to Raleigh for three more matches in the Wolfpack Invitational (Sept. 12-14) the following weekend.   
 
CCU will face the 2024 MEAC champion Delaware State during the Wildcat Classic, along with Elon and host Davidson. It will also face off against Horizon League winner Cleveland State at the Wolfpack Invitational, as well as Utah Valley, and host NC State. 
  
The Chants will head to South Florida for back-to-back matches against Miami (Sept. 18) and FIU (Sept. 19) in the 305 Invitational before closing the non-conference slate at home against UNCW (Oct. 15).  
  
Coastal opens Sun Belt play against Marshall (Sept. 26-27) in Huntington, W.Va., and welcomes Old Dominion (Oct. 3-4) to the HTC Center the first weekend of October to open its home conference slate.  
 
The Chanticleers will also host Sun Belt opponents James Madison (Oct. 17-18), Appalachian State (Oct. 24-25), and South Alabama (Nov. 14-15). 
 
The Chants’ other SBC road matches are against Georgia State (Oct. 9-10), Georgia Southern (Oct. 31-Nov. 1), and reigning conference champion Texas State (Nov. 7-8). 
  
Coastal Carolina will also travel to the College of Charleston for an exhibition game on Aug. 23.   
 
The 2025 Sun Belt Conference Championship will be held Nov. 19-23 at the Foley Events Center in Foley, Ala.

For complete coverage of CCU volleyball, follow the Chants on social media @CoastalVB (Twitter/Instagram), facebook.com/CCUChanticleers (Facebook), @GoCCUSports (Instagram), or visit the official home of Coastal Carolina Athletics at goccusports.com. 

 



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Singapore women’s water polo team seeking better result at World Aquatics Championships

Singapore’s women’s water polo team made its maiden appearance at the World Aquatics Championships last year, and finished last amid tough competition. The team hopes to do better this year. They will first face Paris Olympics silver medallists Australia in their opening group game, and subsequently be up against New Zealand and Italy. Alif Amsyar […]

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Singapore’s women’s water polo team made its maiden appearance at the World Aquatics Championships last year, and finished last amid tough competition. The team hopes to do better this year. They will first face Paris Olympics silver medallists Australia in their opening group game, and subsequently be up against New Zealand and Italy. Alif Amsyar reports.



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A Small-Cap Play on Gen Z’s Digital Revolution

The intersection of gaming, college sports, and Gen Z’s $360 billion spending power has created a $6.7 billion market opportunity—one that Brag House Holdings (NASDAQ: TBH) is aggressively targeting. Zacks’ recent initiation of coverage on the company validates its unique model, which merges immersive digital experiences with institutional partnerships. For investors seeking undervalued small-cap growth, […]

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The intersection of gaming, college sports, and Gen Z’s $360 billion spending power has created a $6.7 billion market opportunity—one that Brag House Holdings (NASDAQ: TBH) is aggressively targeting. Zacks’ recent initiation of coverage on the company validates its unique model, which merges immersive digital experiences with institutional partnerships. For investors seeking undervalued small-cap growth, Brag House’s alignment with Gen Z’s cultural and economic influence presents a compelling thesis.

The Gen Z Opportunity: Where Gaming, Sports, and Identity Collide

Gen Z’s preferences are reshaping consumer markets. A generation that grew up with smartphones, social media, and esports now commands $360 billion in annual spending power. Brag House has positioned itself at the nexus of three trends:
1. Gaming as a Social Fabric: Over 70% of U.S. Gen Zers play games weekly, with 40% participating in live-streamed events.
2. College Sports as Identity: 60% of college students identify strongly with their university’s athletics, creating a lucrative audience for branded experiences.
3. Digital Ownership and NIL Rights: The NCAA’s 2021 NIL rule change unlocked a $1.5 billion market by 2027, enabling student-athletes to monetize their brands.

Brag House’s strategy leverages these trends through its partnership with Learfield, a leader in collegiate athletics marketing, and its proprietary SaaS platform.

The Learfield Partnership: Scaling to 200+ Campuses

Brag House’s collaboration with Learfield—announced in April 2025—marks a pivotal step. The partnership combines Learfield’s network of over 200 colleges (including flagship programs like Florida Gators Athletics) with Brag House’s ability to gamify school spirit. The first activation, the Brag Gators Gauntlet: Baseball Edition, drew strong turnout by blending Fortnite-style gaming with college sports.

The roadmap calls for expanding these activations to 10 campuses by late 2025 and 50 by 2026, unlocking incremental revenue streams. For Brag House, Learfield’s access to over 28 million fan records and 12,000 brand partners provides a data-rich pipeline to monetize Gen Z through targeted advertising and NIL-driven digital collectibles.

The SaaS Platform: Turning Data into Dollars

Brag House’s SaaS analytics platform is the engine behind its monetization strategy. By integrating machine learning (via Artemis Ave) and AI-driven engagement tools (via EVEMeta), the platform aims to:
Leverage Behavioral Data: Track Gen Z engagement metrics to sell high-ROI ads to brands.
Power NIL Platforms: Enable student-athletes to create blockchain-backed digital collectibles (e.g., highlight reels, access passes), with royalties from secondary sales.
Scale Campus Activations: Use predictive analytics to optimize event timing and branding.

The platform’s potential is underscored by its focus on measurable outcomes: advertisers gain access to Gen Z’s attention, while universities and athletes share in revenue from NIL deals and sponsored content.

Valuation: A Catalyst-Driven Entry Point

Brag House’s stock has underperformed the broader market due to concerns over its delayed Q1 2025 Form 10-Q filing. However, with a July 28 compliance deadline looming, the stock could rebound sharply if the filing is submitted on time.

At current levels, Brag House trades at a discount to its peers, despite its first-mover advantage in the Gen Z collegiate gaming space. A successful 10-Q filing and the July 19 Brag Gators Gauntlet event—its first major post-IPO activation—could catalyze a re-rating.

Risks and Considerations

  • Regulatory Compliance: NCAA rules on NIL rights remain fluid; Brag House’s compliance tools must stay ahead of evolving guidelines.
  • Execution Risk: Scaling to 50+ campuses requires seamless integration of its SaaS platform and Learfield’s infrastructure.
  • Valuation Sensitivity: Small-cap stocks often face volatility tied to macroeconomic trends.

Investment Thesis

Brag House’s valuation discount creates a high-reward asymmetry. The company is well-positioned to capture $6.7 billion in market opportunities through its Gen Z-aligned model. Key catalysts—10-Q compliance, expansion milestones, and SaaS platform adoption—could unlock significant upside. For investors willing to tolerate volatility, Brag House offers a rare chance to own a platform at an early stage of a multiyear secular trend.

Recommendation: Consider a position in Brag House ahead of its July 28 compliance deadline, with a focus on the July 19 event as a near-term catalyst. Monitor the stock’s post-filing performance and SaaS adoption metrics closely.

In a world where Gen Z’s preferences dominate markets, Brag House’s strategic alignment with gaming, sports, and digital ownership is a recipe for long-term growth—if execution meets ambition.



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