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Ukrainian documentary Fragments of Ice uses Soviet

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Ukrainian documentary Fragments of Ice uses Soviet

With her film Fragments of Ice, director Maria Stoianova turns towards a family archive in order to tell a broader story about freedom, dreams and heartache. Growing up in the Soviet Union, Stoianova’s family was in a unique position: her father was a figure skating star, which opened up not only opportunities to travel but also access to a video camera. Drawing on 15 tapes created during a period spanning the 1980s and 1990s, Stoianova creates a unique archival project that not only tells the story of her family, but the story of Ukraine, from its role within the Soviet Union to its independence, leading us to the war that plagues the region today.

When Stoianova decided to first revisit these home movies as an adult, long before she imagined making a film, she worried they’d be boring. “What do we judge as the first time?” she says. “I watched them for the first time as a child but we never rewatched them. They were quite distant to me, like something from a previous life.”

It was only later that she realized how unique these tapes were; none of her friends or classmates had video footage of their childhoods. “That’s the strange thing: What is so very close to us might be underestimated.”

Fragments of Ice
Fragments of Ice

She remembers seeing the films again for the first time as an adult. One day she was visiting her father and he had recently digitized them. “The first scene I watched was basically this communist and capitalist having a conversation on the plane. That struck me because it was great filming and a very interesting conversation filled with all kinds of tension. That was the first step towards rewatching everything and the thought of a prospective film. It gave me this sense of tension about how this footage was perceived back then and how we perceive it now, and also the dynamics of how we change and how our perceptions change. Why do we feel the way we do? Why did my father film?”

Incorporating other archival footage as well as contemporary images, the film reaches towards big questions — not only about society, but the very idea of memory itself. Drawing on family and personal archives, rather than images created by those in authority, inevitably reframes political events with a different gaze. Even the medium itself becomes an object of reflection. How does a home movie on 8mm differ from a video captured on an iPhone? There’s a question of texture; how does one medium’s haptic quality come to shape our perception? What happens to our relationship to captured images in a world overwhelmed by them? 

More than just a personal reflection, this question seems to resound amid the current war in Ukraine, which has been called the most “documented” war. How has that shaped public perception of what’s happening on the ground, or has the overwhelming weight of images only served to desensitize people to its impact? “Unlike most wars from before, we have footage from the people,” Stoianova says. “I’m sure it contributes to a kind of entropy. It’s a lot of footage and it grows bigger and bigger.”

The question of what is filmed also raises the question of what isn’t. “Cinema itself is very much about absence. It’s structured around absence — something you want to communicate but can’t. You can’t see it. You can’t grasp it.”

Stoianova explains that even the title of the film alludes to this idea, and the question of melting ice. “I think of absence a lot. One of the first ideas that I found very interesting was that, ‘Okay, my father filmed a lot, and then he filmed less, less and less. What does it mean and how can I show it?’”

fragments of ice maria stoianova interview documentary film

Much of the film is shaped in the editing room, and early on, Maria Stoianova worked with Viktor Onysko. “He watched the footage for the first time, of course, making notes and organizing footage. It was very interesting to watch the film through his eyes. We talked a lot about very personal things, about his father and his daughter. He also reflected on his memories of this late Soviet time and his perception. By the end of our first session, we had half of a rough cut, including an intro.”

Stoianova and Onysko planned on doing a second session in the spring of 2022, but that never happened. “Vickor went to the army. It was turbulent for everyone during that year. I didn’t think about coming to the film, maybe sometime in the future. Then in December, we get the tragic news that Viktor died.”

Editor Maryna Maykovska agreed to fill in. “I had a treatment already with this idea of the general dramaturgy and what I want, but the full scale invasion changed my approach,” Stoianova explains. “It gave me a second track; the first track was this vision of Paradise, the imaginary West, as I labelled it. The second track was hidden for me before the invasion and then it took more place in the film.”

This second thread was shaped around the question of identity. What does it mean to be Ukrainian? “How do we fit in with the West? It’s something strange, reinventing yourself in new circumstances to redefine your belonging. Where are you and where do we belong? They desire that we have this colonial identity or this mixed identity. It’s not a real identity.” ■

Fragments of Ice (directed by Maria Stoianova )

Fragments of Ice is now playing in Montreal theatres. There will be a screening with Maria Stoianova at Cinéma Moderne on Sunday, May 25.


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Wisconsin defeats Stanford in NCAA regional semifinals: Updates, recap

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6:20 pm CT December 12, 2025

Who does Wisconsin volleyball play next in NCAA tournament?

John Steppe

Third-seeded Wisconsin will face top-seeded Texas in the NCAA regional finals on Dec. 14 at a to-be-announced time. The Longhorns are coming off a sweep in the regional semifinals against fourth-seeded Indiana.

Here are some highlights from the Texas-Indiana match:

6:02 pm CT December 12, 2025

More to read from Wisconsin’s four-set win over Stanford

John Steppe

5:32 pm CT December 12, 2025

Wisconsin’s Charlie Fuerbringer goes out of her way to praise teammate Una Vajagic

John Steppe

3:20 pm CT December 12, 2025

Wisconsin volleyball advances to the regional finals, will face Texas

John Steppe

Wisconsin is headed to the NCAA regional finals following a four-set win over Stanford. The Badgers won the fourth set, 25-22. Check back for more postmatch updates.



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#11 Volleyball Practices, Then Meets Media Prior to #2 Kentucky Match

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LEXINGTON, Ky. — The Creighton Volleyball team practiced for just more than an hour before meeting the media in Lexington, Ky., on Friday afternoon as it completed preparations for Saturday’s Elite Eight match at No. 2 Kentucky.

After practice, Creighton head coach Brian Rosen, along with Eloise Brandewie, Jaya Johnson and Abbey Hayes met the media.

First serve between Creighton and Kentucky is set for 4 p.m. Central. The contest will be nationally-televised on ESPN2.

 



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What channel is Kansas women’s volleyball vs Nebraska? Time, schedule

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Dec. 12, 2025, 3:04 a.m. CT



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‘U’ Falls in Sweet 16 to No. 4 Pittsburgh

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PITTSBURGH, Pa. — The No. 4 seeded Minnesota volleyball team fell to the No. 1 seeded Pittsburgh Panthers on Thursday night at the Petersen Events Center in three sets. The set scores of the match were 25-16, 25-23, 25-22.

The Gophers season ended in the Sweet 16 for the 21st time in program history with a 24-10 (12-8 B1G) record.

“Congrats to Pittsburgh on the win and for the university and city for being such great hosts,” said head coach Keegan Cook. “I’m proud of the way our team battled tonight and throughout the season. We just fell a little bit short tonight. I told the team I have loved coaching them all year and appreciate their willingness to learn and grow. We’re going to miss these seniors next year, but we’re glad to get back to the second weekend of the NCAA Tournament and continue to push the program forward.”

Kelly Kinney and Carly Gilk led Minnesota with nine kills while Stella Swenson had 28 assists, three blocks and three aces. Julia Hanson was held to eight kills in her final collegiate match.

The Gophers (24-10, 12-8 Big Ten) were outhit the Panthers (29-4, 18-2 ACC) .271 to .178, leading in kills (47 to 33) and digs (48 to 34). Minnesota had more aces (4 to 3) and blocks (10 to 5).

Julia Hanson commented on her time at Minnesota and what it meant for her to end her career as a Golden Gopher.

“There were times that I questioned myself and how things were going after my sophomore year,” Hansen said. “But I’m so glad to be a part of this program and so proud to have that ‘M’ on my chest. It means everything to me. I’m so thankful for my time at Minnesota.”

For Pittsburgh, Olivia Babcock had 19 kills while Brooke Mosher went for 35 assists. Bre Kelly and Blaire Bayless also had eight kills for the Panthers.

How It Happened

SET 1 | Pittsburgh started out hot, scoring six of the first seven points before Minnesota called a timeout. The Gophers tallied a pair of kills to get it to four at 7-3 before the Panthers scored three straight on two kills and a block to go up 10-3. An attacking error followed by a kill from Kinney and a block from Myers cut it to four again at 11-7. Following a service error from Minnesota, the Gophers scored four of the next five to force a Pitt timeout, trailing 13-11. Swenson tallied an ace, Gilk had a kill and Taylor combined with Gilk on a block. After the timeout, the Panthers bounced back by scoring four of five, taking a 17-12 lead and forcing coach Cook’s final timeout of the frame. The Gophers would get no closer than five the rest of the way as the Panthers closed out the first frame, 25-16. Pitt hit .267 for the set while Minnesota hit just .026.

SET 2 | Minnesota came out strong, scoring seven of the first 12. Swenson had two aces while Kinney tallied a pair of kills. A kill from Myers and a block from Kinney and Myers put the Gophers up 10-9 before three straight from Pitt forced a Minnesota timeout, trailing 12-10. Kills from Swenson and Gilk combined with a Panthers attacking error helped give Minnesota back the lead at 14-13. The Panthers scored three of the next four to tie it up at 16-16. Two more kills put them up 18-16, forcing Minnesota’s final timeout of the set. Pitt would go up by as many as three at 22-19 before two errors cut the lead to just one at 22-21, leading to a Pitt timeout. A Panthers hitting error and kill from Hanson tied it up at 23-23, forcing one more Pitt timeout. A kill and a block won the set for Pitt, 25-23.

SET 3 | Pitt scored seven of the first 11 points before kills from Taylor and Gilk combined with a block from Hanson and Taylor tied it up at 7-7. The Panthers went on a 5-2 spurt after that, getting four kills and an ace to go up 12-9, forcing a Minnesota timeout. The Gophers would battle back, scoring five of the next seven to cut it to 15-14. Kills from Gilk and Myers combined with an ace from Garr tied it up at 17 apiece. A pair of kills from Myers put Minnesota up 19-18, leading to a Panthers timeout. After the break, Minnesota got a block and a Pitt error to go up 21-19 before the Panthers answered back with two more to tie it at 21. The two teams exchanged the next pair of points before the Panthers closed out the match on a 3-0 run to win, 25-22.

Game Notes

» Minnesota is now 1-3 all-time against Pitt, including 0-2 in the NCAA Tournament.

» The Gophers are now 10-11 in the NCAA Regional Semifinals.

» Minnesota posted 10+ blocks for the 15th time this season.

» Minnesota is now 4-7 against ranked opponents this season.

» McKenna Garr (10) posted 10+ digs for the 24th time in 2025.

» Lourdes Myers went for six blocks to lead Minnesota.

» Stella Swenson went for 28 assists and a team-best three aces.

Up Next

Minnesota’s spring season begins in January.



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Nebraska Volleyball keeping practices light-hearted as they prep for NCAA Regional

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LINCOLN, Neb. (KOLN) – Nebraska volleyball is keeping the practices light-hearted as they prep to play Kansas in the NCAA Regional.

The Huskers come into the Round of 16 with a 32-0 record and a lot of pressure to make the Final Four. With the mountain of expectations, the players and coaching staff are keeping the training fun and focused on each round rather than the latter goals.

“We still have a lot of fun in our practice, so even though the level is so high, we’re still managing to find ways to have fun,” junior middle blocker Andi Jackson said.

The light-hearted practices and emphasis on playing freely, has really proven to help Jackson’s game. This season she is hitting a nation-best .483 and is averaging 1.14 blocks per set.

“If you look too far into the future, you’re probably going to get a little nervous and get a little stressed out. So just really focusing on what we’re doing in the moment and focusing on where our feet are,” junior outside hitter Harper Murray said.

Nebraska VB’s HC Dani Busboom Kelly, MB Andi Jackson, and OH Harper Murray Pre-Sweet 16 Press Conference | Dec. 11, 2025

No. 1 ranked Nebraska will face off against 16th ranked Kansas on Friday, Dec. 12. The match starts 30 minutes after the conclusion of the two-seed Louisville versus three-seed Texas A&M match, which begins at 6 p.m. CT.

Click here to subscribe to our 10/11 NOW daily digest and breaking news alerts delivered straight to your email inbox.



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Louisville vs Texas A&M channel, TV, UofL volleyball game time today

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Dec. 12, 2025, 5:10 a.m. ET

No. 2 Louisville volleyball takes on No. 3 Texas A&M in the NCAA Tournament Sweet 16 today at Bob Devaney Sports Complex in Lincoln, Nebraska.

This match marks UofL’s seventh straight regional appearance and first with Dan Meske as head coach.

Here’s everything you need to know to follow today’s match from home:

Today’s match between No. 2 seed Louisville and No. 3 seed Texas A&M is scheduled for 7 p.m. at Bob Devaney Sports Center in Lincoln, Nebraska.

Buy Louisville volleyball tickets here



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