Sports
What Sports Networks Should Heed From the Cancellation of ‘The Late Show With Stephen Colbert’
– Advertisement – Are sports television networks listening? When CBS pulled the plug on The Late Show with Stephen Colbert, it ended a franchise player of the network for over 30 years—a direct head-to-head competitor that the network created to challenge its rival at NBC and their Tonight Show franchise. For generations, the back-and-forth ratings […]



Are sports television networks listening? When CBS pulled the plug on The Late Show with Stephen Colbert, it ended a franchise player of the network for over 30 years—a direct head-to-head competitor that the network created to challenge its rival at NBC and their Tonight Show franchise. For generations, the back-and-forth ratings battle was intense, as every night seemed like must-see television with the two sides doing anything to entertain audiences to grasp the biggest number of viewers possible.
Does the cancellation of The Late Show serve as a warning shot to professional sports networks such as ESPN and FOX Sports?
Many will scoff at the idea of sports television networks canceling shows surrounding their sports programming. I get it. However, the reasoning CBS gave behind the cancellation should be heard loud and clear by everyone, including sports television networks.
Political leanings aside, The Late Show with Stephen Colbert cost a lot to produce. Reportedly, the price tag to create the program was near $100 million a year, with advertising revenue reportedly down over 50% compared to 2018. The show may have had the highest viewership of the competing late-night programs currently, but the amount of viewership compared to 2018 had also dwindled.
The Old Model Is a Formula for Disaster
Reduced revenue, ratings, and high expenses spell a formula for disaster in any type of media—especially in Colbert’s case, where a media company on the brink of being sold was looking to cut expenses and improve its bottom line in preparation for sale.
Isn’t this exactly what FOX Sports just went through with Breakfast Ball, The Facility, and Speak? High expense, low viewership, and limited revenue?
What is happening to The Late Show franchise is exactly the same as what happened with FOX Sports last week, which resulted in a phone call to Barstool Sports.
FOX Sports decided to license out their programming time slots in a partnership with the digital sports content hub, where Barstool (not FOX Sports) will produce a two-hour program to air on FS1 in the mornings to compete with ESPN’s Get Up. The show will then (reportedly) repeat from 10 a.m.–12 p.m. to go head-to-head against ESPN’s First Take.
In FOX Sports’ mind, why pay the massive freight for talent, staff, and production if you can pay someone else to do it for you? What’s to say CBS doesn’t follow that model for their coveted 11:35 p.m. time slot in May—replacing a personality-driven talk show with one that already thrives digitally that the network doesn’t have to invest in like the current Colbert model?
ESPN Programming Questions To Ponder
Could ESPN be next?
The simple question all these networks need to ask when it comes to programming is: Is the juice worth the squeeze? Is the amount of money any network (sports or non-sports) is shelling out to produce its own programming worth the investment? Is the product driving influence, viewership, and revenue enough to keep around?
Let’s look at a couple of examples with ESPN.
Was Tony Reali too expensive to keep around at ESPN? They canceled Around the Horn and have yet to give a reason why. Assuming each of the four panelists were compensated in some fashion, the network was compensating five talents per day, five days a week, for nearly 5,000 episodes. The network also siloed Reali from any other ESPN programming focusing his talents only on Around the Horn.
Was the juice worth the squeeze? Reali is now the most-sought after free-agent in sports television.
Dan Le Batard hinted the other day that Michael Wilbon’s contract runs up in August. Tony Kornheiser and Wilbon have been hosting Pardon The Interruption for nearly a quarter-century. Both are among the highest-paid talents at ESPN—but are they drawing more than a million viewers per episode? Not necessarily.
Is PTI’s juice worth the squeeze? Was their lead in a sign of things to come?
Stephen A. Smith is the highest-paid talent at ESPN, having just signed a reported 5-year, $100 million contract. Quick math: that’s about $20 million a year, which is more than Kornheiser and Wilbon combined. Using Colbert as a reference point, if The Late Show cost $100 million annually to produce, Stephen A. Smith’s contract would account for 20% of that cost by itself. Sure, First Take is number one in sports programming during that time slot—but its viewership isn’t anywhere near what The Late Show was doing. Then add in the compensation for the rotating cast of characters like Shannon Sharpe, Chris “Mad Dog” Russo, Molly Qerim, and others. Pretty pricey—averaging around half a million viewers.
Is First Take’s juice worth the squeeze? Maybe this is why Stephen A. Smith is everywhere at all times, to ensure the lemonade still has taste.
ALL Networks Are Playing Catch up for Lost Opportunity
If your program is making more money than you’re spending on it, you’re safe. If not, heed the warning of what happened to The Late Show with Stephen Colbert.
With changing times come changing dynamics—and rising production costs. Talent is not going to magically become cheaper. Nor will the costs to create and distribute content.
While many believe sports content networks have a shield of Teflon from the struggles of network television, the challenges remain the same.
Sports rights agreements are more expensive than ever. Sports networks need those rights as the industry continues to face hurdles from cord-cutting and the fragmentation of live sports. It’s a proven fact that appointment television lives, breathes and survives on live sports play-by-play. Nothing else comes close, and nothing else may ever again.
However, could we see a day where sports networks battle each other for streamers, influencers, and podcasters to fill programming space at a cheaper rate?
It may already be here—for all we know.
Simply put, sports fans can now find entertainment far beyond just the television. The days of appointment viewing for shows like Around the Horn, Get Up, Pardon the Interruption, First Take, and others are over. With the click of a button, sports fans can access a buffet of content options on any app, website, or social network to get the entertainment value they desire. The old way of doing business and generating audience has shifted dramatically, and networks are pivoting their strategies as only they know how.
The eventual fall of late night television was not in the strategy of content direction, it was in the strategy of networks not adapting to changing viewing habits and where audiences are going.
Let’s hope sports networks don’t follow the same formula, before it’s too late.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.


John Mamola is the sports editor and columnist for Barrett Media. He brings over two decades of experience (Chicago, Tampa/St Petersburg) in the broadcast industry with expertise in brand management, sales, promotions, producing, imaging, hosting, talent coaching, talent development, web development, social media strategy and design, video production, creative writing, partnership building, communication/networking with a long track record of growth and success. Honored to be a five-time recognized top 20 program director in a major market via Barrett Media and honored internally multiple times as station/brand of the year (Tampa, FL) and employee of the month (Tampa, FL). Connect with John by email at John@BarrettMedia.com.
Sports
Vote for the top returning volleyball player in the Savannah area in a poll
Volleyball is ready to get started in the Greater Savannah area as high school teams are preparing for the season, with regular games set to get started in August. There is no shortage of talent in the area as several teams seem primed to make postseason runs. Savannah Arts is coming off its first trip […]
Volleyball is ready to get started in the Greater Savannah area as high school teams are preparing for the season, with regular games set to get started in August.
There is no shortage of talent in the area as several teams seem primed to make postseason runs. Savannah Arts is coming off its first trip to the state finals and will be in the hunt again in Class 2A.
St. Vincent’s, Savannah Christian, Calvary Day and Savannah Country Day are looking to make some noise in the Class A-3A Private School classification.
Richmond Hill, Effingham County and South Effingham have produced talented teams in recent years, and St. Andrew’s had a memorable season in the GIAA last year.
We recently published a list of the top returning high school volleyball players in the Greater Savannah area for the 2025 season. Here’s a chance for readers to weigh in and select their favorite in an open poll with no restrictions on the voting. The poll will close on Monday, Aug. 4, at 11 a.m.
Here are the candidates.
Talia Johnson, Richmond Hill, sr., OH
Clara Vorel, South Effingham, sr., MH
Kaylyn Gill, St. Vincent’s, sr., S/OH
Kinsey Prado, Calvary Day, sr., OH
Sophie Chu, St. Vincent’s, sr., libero
Maggie Allen, Savannah Arts, sr., libero
Grace Duffie, Richmond Hill, sr., S
Iracena Manlove, South Effingham, sr., libero
Ellie Ayala, Savannah Arts, soph., OH/S
Carinne Cason, Savannah Christian, soph., S
Khloe Jesswein, St. Andrew’s, soph., MB
Alaina Moultrie, Calvary Day, sr.
Myla Shippy, Habersham School, soph., OH
Brownette Olson, Habersham School, sr., OH
Georgia McBride, Calvary Day, sr., libero
Jordyn Powell, Effingham County, jr., OH
Bella Giaquinto, Effingham County, sr., libero
Abbey Zellner, Habersham School, jr., S
Katie Swezey, Islands, sr., S
Taylor Young, Jenkins, sr., MB
Emily Carter, Jenkins, jr.
Abigael Edovard-Lucile, Johnson, jr.
Kailah King, Richmond Hill, jr., MH/OPP
Lily Ritzema, Richmond Hill, sr., OPP/OH
Sam Lehto, Savannah Arts, sr., OH
Charlotte Brown, Savannah Arts, jr., MB
Ella Brooking, Savannah Christian, sr., MB
Olivia Aliotta, Savannah Country Day, jr., OH
Boots Buckler, Savannah Country Day, sr. S
Leah Magana, South Effingham, jr., S
Morgan Stringer, South Effingham, jr., OH
Grace Dare, St. Andrew’s, jr., S
Megan Warren, St. Vincent’s, sr., MB
Addison Grayson, St. Vincent’s, sr., OH
Briana Tuten, St. Vincent’s, sr., OH
Dennis Knight covers sports for the Savannah Morning News. Contact him at Dknight@savannahnow.com. Twitter: @DennisKnightSMN
Sports
2025 CWRU Women’s Track and Field Outdoor Season Recap
Story Links The Case Western Reserve University women’s track and field team had a pair of conference champions and totaled eight All-University Athletic Association honors during the 2025 outdoor season. Graduate student Michaela Burkhauser and senior Rachel Ginn both brought home gold for the Spartans at the 2025 UAA Outdoor Championships […]

The Case Western Reserve University women’s track and field team had a pair of conference champions and totaled eight All-University Athletic Association honors during the 2025 outdoor season.
Graduate student Michaela Burkhauser and senior Rachel Ginn both brought home gold for the Spartans at the 2025 UAA Outdoor Championships held at the Icahn Stadium in Manhattan, New York. On the first day of the competition, Ginn won the hammer throw with a toss of 50.61 meters, a personal best mark. Graduate student Ailean Duffie placed second in the event with a heave of 48.86 meters to receive All-UAA honors for the second time in her career. Burkhauser thew the discus at least three meters further than the rest of the competition, taking the UAA title in the event with a toss of 45.06 meters. Earlier in the meet, she placed second in the shot put, giving her two All-UAA honors at both the indoor and outdoor championships. Junior Michelle Lee placed second in the discus throw to earn her third career All-UAA award.
Overall, CWRU placed fourth in the conference for the second consecutive year and third time since the 2022 championship. Sophomore Holly Schreiber was on the conference podium for the first time in her career, placing second in the pole vault by clearing 3.57 meters. Participating in her first career conference championship, first-year Sarah Viveiros received the silver medal in the javelin throw with a toss of 38.46 meters. On the track, junior Ayla Grabenbauer placed third in the 3,000-meter steeplechase with a time of 11:00.94, picking up her first career All-UAA honor.
Burkhauser (discus throw), Ginn (hammer throw), Grabenbauer (3,000-meter steeplechase), and Schreiber (pole vault) each received All-Great Lakes Region recognition for their achievements at the conference meet by placing in the top five among schools in the region in their events.
CWRU performed well at the Sparky Adams Invitational hosted by Baldwin Wallace on April 18 and 19. The team placed third out of 12 teams with 111.0 points with season-best times or marks in five events. At the end of the season, junior runner Lauren Iagnemma recorded the third-fastest time in program history and 42nd-fastest time in Division III in the 5,000-meter run (17:03.07) at the Harrison Dillard Twilight, also hosted by BW.
In the classroom, five members of the team were honored by the College Sports Communicators as members of the Academic All-District Team. They included Ginn, Grabenbauer, Iagnemma, Schreiber, and junior Ashley Novak.
Members of the CWRU women’s track and field team received the following individual honors during the 2025 outdoor track and field season:
The following were top times/marks by Spartan track and field athletes during the outdoor 2025 season:
100-Meter Dash
|
Riley Friedman
|
12.80
|
Sparky Adams Invite
|
200-Meter Dash
|
Riley Friedman
|
26.19
|
UAA Outdoor Championships
|
400-Meter Dash
|
Melanie Taylor
|
59.77
|
Wooster Invite
|
800-Meter Run
|
Arianna Holbrook
|
2:14.96
|
Sparky Adams Invite
|
1,500-Meter Run
|
Lauren Iagnemma
|
4:38.59
|
Mount Union Last Chance Meet
|
5,000-Meter Run
|
Lauren Iagnemma
|
17:03.07
|
Harrison Dillard Twilight
|
10,000-Meter Run
|
Becca Liaw
|
39:51.54
|
UAA Outdoor Championships
|
100-Meter Hurdles
|
Gabby Alphonse
|
17.09
|
UAA Outdoor Championships
|
400-Meter Hurdles
|
Eyoha Teshome
|
1:10.57
|
Sparky Adams Invite
|
3,000-Meter Steeplechase
|
Ayla Grabenbauer
|
11:00.94
|
UAA Outdoor Championships
|
4×100-Meter Relay
|
Sarah Ball, Melanie Taylor, Gabby Alphonse, Riley Friedman
|
51.15
|
Sparky Adams Invite
|
4×400-Meter Relay
|
Siena Kannenberg, Julia Hluck, Arianna Holbrook, Melanie Taylor
|
4:08.92
|
Bob Kahn Invite
|
4×800-Meter Relay
|
Melanie Taylor, Julia Walko, Lauren Iagnemma, Julia Hluck
|
9:36.42
|
UAA Outdoor Championships
|
High Jump
|
Jordan Su
|
1.49m
|
Sparky Adams Invite
|
Pole Vault
|
Holly Schreiber
|
3.57m
|
UAA Outdoor Championships
|
Long Jump
|
Jordan Su
|
5.19m
|
W&L Track Carnival
|
Triple Jump
|
Jordan Su
|
11.06m
|
W&L Track Carnival
|
Shot Put
|
Michaela Burkhauser
|
13.43m
|
SPIRE Last Chance Meet
|
Discus Throw
|
Michaela Burkhauser
|
45.06m
|
UAA Outdoor Championships
|
Hammer Throw
|
Rachel Ginn
|
50.61m
|
UAA Outdoor Championships
|
Javelin Throw
|
Sarah Viveiros
|
38.94m
|
Gator Goldberg Invite
|
Sports
Georgia Southern hosts more than 300 at Volleyball Skills Camp
The success of Georgia Southern volleyball has been spilling into the summer. The Eagles are coming off a season in which they went 22-7, including going a perfect 14-0 at home and, for the second straight season, head coach Chad Willis took the Eagles to the postseason. Recently, Willis saw a record number of more […]

The success of Georgia Southern volleyball has been spilling into the summer.
The Eagles are coming off a season in which they went 22-7, including going a perfect 14-0 at home and, for the second straight season, head coach Chad Willis took the Eagles to the postseason.
Recently, Willis saw a record number of more than 300 high school players and teams come to the Georgia Southern campus to participate in their sixth annual summer team camp.
“It’s great to see the level of talent and teams that have been coming here for three or four years in a row,” Willis said. “To see their growth as teams and the trust they put in us to come back every year says a lot. It’s a great chance to give back to the community and to continue to foster relationships with coaches and players from throughout the state and beyond.”
This was actually the third camp the Eagles have hosted this summer, as they had their all-skills camp in June and then their college ID camp a couple of weeks ago. The most recent camp was to teach skill training and to allow the teams to go up against each other in friendly competition. Willis said the camps are not only a way to pass on knowledge to area teams but they also use them for recruiting purposes.

– photo by JOSH AUBREY/staff
“Obviously our college ID camp is the main camp for identifying talent, but we also see a lot this week with our team camp,” Willis said. “We have over 300 kids from Georgia and South Carolina here for three days so you get to expose them to our campus but we also see some younger age talent we get a chance to evaluate as well.”
Many of the teams in town came from at least a few hours away. The team with the shortest bus ride to Hanner was Statesboro High. Head coach Bob Massee and Willis have a great relationship and he feels it’s important for his team to get in as much work as they can in the off season.
“This is actually the first time in 15 years I have been able to bring our team to a camp in the summer,” Massee said. “We are seeing a lot of drills and are able to play a lot of games against other teams we don’t normally see too much. Coach Willis runs a smooth camp with plenty of opportunities for learning as well as playing which is great for our team.”
Helping to work the camps are members of the Eagle volleyball team. Willis feels this is a great opportunity for the players to not only understand where the coaches are coming from, but he thinks by teaching it also helps the players work on their fundamentals.
“Sometimes I feel we get as much as the players that are here watching and learning from us,” said Eagle outside hitter Sam Bowron. “It is cool to see how some of the drills we are teaching them can really improve a team just by doing it for a few hours. I never got a chance to go to a camp like this when I was in high school but I think something like this would have been great and we take a lot of pride in working with these players here.”
The Eagles open the season Aug. 23 as they take on South Carolina in an exhibition game at 7:00 at Enmarket Arena in Savannah.
Sports
Alcoa clothing company creates shirts for MiLB teams across the US
Alcoa-based clothing company GoTeez formed a partnership with the Knoxville Smokies, which has helped them create shirts for more than 70 MiLB teams. ALCOA, Tenn. — At the Knoxville Smokies baseball shop, you can be in and out in less than five minutes, with a t-shirt made in East Tennessee. That same thing can now […]


Alcoa-based clothing company GoTeez formed a partnership with the Knoxville Smokies, which has helped them create shirts for more than 70 MiLB teams.
ALCOA, Tenn. — At the Knoxville Smokies baseball shop, you can be in and out in less than five minutes, with a t-shirt made in East Tennessee. That same thing can now be said at more than 75 other baseball teams across the Minor League Baseball organization.
Jeff Shoaf is the Vice President of the sports division at GoTeez clothing company.
“Once we did a lot of July 4th shirts for some teams, we added eight teams just in at the end of June,” he said.
Almost a decade ago, Shoaf said they were only making shirts for four nearby minor league baseball teams. Now they have a license with the MiLB that allows them to print shirts for all teams.
“Last year we were able to get the total up to around 40, 45 teams. Now we’re around 75 teams that we work with in Minor League Baseball,” said Shoaf.
Shoaf credited the expansion to the partnership that first formed with the Knoxville Smokies in 2016.
“We got a license for the Smokies, the Lookouts, the Knights and the Hickory Crawdads, and so we were local licenses for those four teams and then. Basically, every year I’d ask, you know, ‘Hey, can I get the full license? Can we get the full license for all the minor league teams?’ and each year it was like, ‘No, no, no,'” Shoaf said.
When the Smokies ownership started buying teams in the newly formed Appalachian Baseball League, the Smokies deal helped GoTeez finally get the licensure they needed to sell to all MiLB teams.
“They’re the ones that went to bat with us with the Appy League and the guys from Major League Baseball to say these guys are good,” Shoaf said.
The partnership has not only helped GoTeez, but the Smokies, as well.
“Anything I need, they’ll drop off just right before the game. It’s nice to be able to drive 30 minutes to just go sit down with Jeff if I need to, and we can talk through designs or styles,” Smokies merchandise manager Kenny Clawson said.
Shoaf said the work is not done yet.
“If we get all 120 teams buying from us, that’ll be great, but then there’s also all those other teams out there, all those other leagues that we can still hit and say, ‘Hey, we did, we’ve done it for these guys, we can do it for you,'” Shoaf said.
Sports
NYC Polo Bar workers used drugs on shift, sexual harassment rampant: lawsuit
An exclusive Manhattan nightspot that’s counted Meghan Markle, Kamala Harris and Leonardo DiCaprio as customers is a hotbed for sexual harassment among employees — who used spray bottles to take cocaine during their shifts and had a rating system for good-looking customers, a bombshell lawsuit alleges. The swanky Polo Bar, a bar and restaurant owned […]

An exclusive Manhattan nightspot that’s counted Meghan Markle, Kamala Harris and Leonardo DiCaprio as customers is a hotbed for sexual harassment among employees — who used spray bottles to take cocaine during their shifts and had a rating system for good-looking customers, a bombshell lawsuit alleges.
The swanky Polo Bar, a bar and restaurant owned by fashion icon Ralph Lauren and located on East 55th Street at Fifth Avenue, has a “toxic culture … and rampant drug use and alcohol consumption at work,” a veteran former server claimed in a federal lawsuit.
Male bosses groped underlings under the guise of checking their uniforms and managers and servers often openly used cocaine, Frank Nobiletti claimed in court papers.
One server allegedly sold the drug on-site, and workers “regularly mixed cocaine with water in a spray bottle and used that bottle to ingest cocaine” through their skin “during service,” he contended in the legal filing.
Michael Lewis, the bar’s events manager, and Darnell Dodson, its international hospitality directory, both touched Nobiletti, 42, inappropriately at different times, he alleged.
Dodson was known to hire only attractive men, even if they had zero experience, “hoping to have a sexual relationship with them,” Nobiletti claimed in the lawsuit. “Male employees who had a sexual relationship with him … would receive preferential treatment.”
Workers also allegedly played a twisted “Rating Game” where “women customers are rated based on attractiveness.
“The male servers frequently made offensive and graphic sexual comments about the women customers,” the suit alleged.
Since opening in 2015, Polo Bar has been one of the most exclusive celebrity haunts in the Big Apple. The establishment is popular with bold faced names like Tom Hanks, Bill and Hillary Clinton, George Clooney, and U2’s Bono.
Its menu boasts caviar and potatoes for $145, pan-seared Dover sole for $80, and even $18 pigs in a blanket. One of its cocktails, The Family Reserve — which contains Jose Cuervo Reserva de la Familia Extra Añejo Tequila, D.O.M. Benedictine and Brandy, Crème de Cacao, and Amaro Averna — will set you back $50.
Nobiletti claimed he “faced terrible sexual harassment” and was fired in February 2024 after he complained human resources.
Supervisors told him he was being let go “for drinking at work even though, since the Polo Bar opened in 2015, management and staff regularly drank alcohol and used illegal drugs during work hours with little to no consequences for such actions,” he said in the legal papers.
“While the restaurant and its hard-working staff do everything they can to ensure that their guests have a first class experience, defendants completely failed to guarantee that their employees had a safe and legal work environment,” he said in the July 22 filing.
In a statement to The Post, Polo Bar said: “We have high standards for how employees conduct themselves and no tolerance for misconduct, so we take swift action when these standards are not met. This includes Mr. Nobiletti’s termination that was based on clear evidence of his misconduct. Because we take all employee-related concerns seriously, we thoroughly investigated Mr. Nobiletti’s allegations and determined they have no merit.”
Nobiletti is seeking unspecified damages. His attorneys declined to discuss the case. Lewis and Dodson could not be reached for comment.
Sports
CSU art department welcomes Greg Dickinson as interim chair
Colorado State University’s art and art history department recently welcomed Greg Dickinson, a professor from the communication studies department, as the new chair. Dickinson was announced interim chair through a post on the College of Liberal Arts Dean Kjerstin Thorson’s Instagram July 7, alongside two other new chair appointments. In addition to being chair of […]

Colorado State University’s art and art history department recently welcomed Greg Dickinson, a professor from the communication studies department, as the new chair.
Dickinson was announced interim chair through a post on the College of Liberal Arts Dean Kjerstin Thorson’s Instagram July 7, alongside two other new chair appointments.
In addition to being chair of the department of communication studies, Dickinson is the founding director of the Joe Blake Center for Engaged Humanities: a multidisciplinary research center focused on subjects in the humanities, such as history, rhetoric, English, philosophy and art history.
The Blake Center is slated to receive a space on the second floor of the revitalized B wing of the Andrew G. Clark Building following renovations, alongside the Center for Public Deliberation and other liberal arts research and engagement centers, Dickinson said.
“I have some experience having been chair,” Dickinson said. “And, gosh, being chair is not the sort of thing that really anybody knows — unless you’ve done it — what it means. And certainly undergraduate students or graduate students don’t know what it means.”
Dickinson’s academic career includes experience researching and writing about the intersection between communications and art, something he believes lends himself to the job of interim chair.
“When you think of communication studies, you don’t think of buildings or visual art,” Dickinson said. “But if you’ve taken a visual communication class, then suddenly you realize how communicative the visual is and how communicative space is. And so I’ve spent almost all my career writing about things like museums, including art museums, (and) everyday places like coffee shops and churches. … I have this passion for the visual, for beauty, for our embodied responses to the world.”
Dickinson’s appointment as chair will last through the next school year as the department and College of Liberal Arts continue restructuring the requirements for the bachelor of fine arts degree, which will allow for more flexibility across artistic disciplines.
“Many artists, in fact, move across disciplines,” Dickinson said. “They paint; they want to do some metalsmithing. They think, even though they want to do those things, they understand that they might get a job in graphic design. And so we want to build a BFA that has more ways for students to move through the degree.”
Part of the curriculum’s restructuring will provide flexibility for students who join the art department later than their first semester, including exploratory studies or transfer students.
“Creative people don’t just do one kind of thing,” Dickinson said. “(And) it’s a little hard to get into the major a little later in college. And so (the restructuring) also has to do with being responsive to who we are as Colorado State University as compared to, say, a small art school.”
Dickinson said he had been exploring interdisciplinary collaboration opportunities for the art department, largely drawing inspiration from the CSU Annual Flower Trial Gardens and other scientific-based fields on campus. Other goals for the department include a one-year lecture series on the nature of matter versus the matter of nature.
“A lot of art departments won’t have metalsmithing or they won’t have both drawing and painting, and so the actual get-your-hands-dirty thing is possible here,” Dickinson said. “So to hold onto that and also allow people to kind of move through the degree with some fluidity so that we’re asking really pretty deep questions about, ‘What is art? What is art education? What do we think somebody with a BFA in art needs to have?’”
As a new class of art and art history students enter CSU, Dickinson invites them to continue creating and broadening their definitions of art through the department, especially amid polarization.
“How are we going to make our world together? And that making is partly the things that are out of sociology or political science — the making of our political world — but I also mean the actual material making of our world,” Dickinson said. “What should our neighborhoods look like? What should our art look like? What should our advertising do for us? How does that engage us as humans, as individuals (and) as societies? How does that bring us together? How does that push us apart? And so if you come to the art and art history department, you’ll both actually make stuff in the world and also think about: ‘What does this making do? How does this making matter?’”
Reach Allie Seibel at entertainment@collegian.com or on social media @allie_seibel_.
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