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Work-from-home more prevalent in Bay Area than rest of U.S. and world, surveys show

Bay Area white-collar workers are spending about three days a week in the office, and survey results show most companies do not plan to mandate more days in the workplace, new data show. Nearly two-thirds of office-based employees attended workplaces on three consecutive days: Tuesday, Wednesday and Thursday, according to a survey by the Bay […]

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Bay Area white-collar workers are spending about three days a week in the office, and survey results show most companies do not plan to mandate more days in the workplace, new data show.

Nearly two-thirds of office-based employees attended workplaces on three consecutive days: Tuesday, Wednesday and Thursday, according to a survey by the Bay Area Council of 236 companies with mostly white-collar workforces.

When the council first began surveying companies about remote work, in October 2021, the average number of days in office was 2.3.

About 40% of companies responding to the February survey said they had mandated increased in-office days over the previous six months, but only 22% said they planned to boost the number over the following six months.

However, larger firms, with 1,000 or more employees, were considerably more likely to say they would add mandatory office days over the next half year, said Abby Raisz, research director at the Economic Institute of the Bay Area Council, which represents businesses including major Silicon Valley tech companies Google, Meta and Apple.

Among companies making efforts to bring workers back to offices, some ask and some tell, with differing results, Raisz said.

“Overwhelmingly we found that those that require employees to come in feel like their policy is very effective,” Raisz said. “When they request, it’s less effective.”

The data comes as local and state government return-to-work mandates spark pushback. In Oakland, unionized city workers had been ordered to work four days in offices starting in early April, but the mandate was delayed until June 2, while San Francisco Mayor Daniel Lurie delayed a similar four-day order from April 28 to Aug. 18, according to local media reports. Gov. Gavin Newsom’s order mandating four days in the office for state workers has riled employees and a state workplace regulator.

Small chart showing that only a quarter of Bay Area companies require employees to be in the office for at least 5 days a week.The COVID pandemic upended working life and companies’ employment models after the outbreak pushed office-based workers to their homes, leading many to develop a strong appreciation for commute-free employment. However, as the pandemic waned, many companies backed away from remote work, with Mountain View digital-advertising giant Google in 2022 ordering most employees back to the office three days a week and others taking similar action.

Bobby Khullar of Danville works for an engineering, design and construction company in Walnut Creek that requires in-office work three or four days a week.

“It’s decent, but if I had my druthers it would definitely be working from home,” said Khullar, 50. His meetings are typically via video with clients, and there’s no real need to be in an office, he said.

“If the cameras are on, you just have to get the top half of yourself ready to go and you’re fine,” Khullar said.

A recent global survey of thousands of workers in 40 countries found that America trails only Canada in the number of people working from home.

The average number of days worked remotely in the U.S. was 1.8 in the period between November and February, slightly lower than Canada’s two days, according to the Global Survey of Working Arrangements, co-conducted by Stanford University economics professor Nick Bloom.

Those numbers reflect the “hybrid” model that has become widespread in English-speaking countries after the pandemic.

“Hybrid working from home is just so profitable for firms,” said Bloom, who collaborated on the survey with other researchers from the U.S., Europe and Mexico. “It reduces recruitment and retention costs without any productivity impact.” Mixing remote with office work is “here to stay,” Bloom concluded.

Raisz said remote work has gained and maintained traction in the Bay Area because major industries like technology involve large numbers of jobs that can be done from home. Also, many companies recognize that many employees live far from the office, with time-consuming and costly commutes, and offer flexible schedules, Raisz said. That gives workers more power to leave jobs that force them into the office more than they would like, she said.

Sharon He of San Francisco, who works for a New York-based insurance firm, helped get her auditing team exempted from a companywide order to work at least four days a week in an office.

“We couldn’t hire anybody with that policy,” said He, 31. “We need to be competitive.”

In Silicon Valley, “hybrid seems to have won out,” Bloom said by email this week. “The large majority of tech and finance firms out here are hybrid, typically having folks come into the office 2 or 3 days a week,” Bloom said. “Managers and employees are happy with this, and it seems to be sufficient days to get work done and push through on productivity. Fully remote has become pretty rare, with a few folks lingering on from the pandemic and some elite coders.”

Meanwhile, furor is growing over a March executive order by Newsom mandating four office days a week for state workers. Newsom in his order — to take effect July 1 — cited “enhanced collaboration, cohesion, creativity and communication” and better opportunities for mentorship, supervision and accountability when employees work together from the office.

But on April 17, the state Public Employment Relations Board that oversees union-related laws covering state employees issued a preliminary finding alleging Newsom’s office broke state law by failing to meet and confer with an engineers union — which filed a complaint about the order — before he issued it. The matter is to go before an administrative law judge.

And foes of the order, as of Thursday, had crowd-funded more than $16,000 to erect a billboard in Sacramento showing a laughing Newsom with the words, “Think traffic is bad now? Wait until July 1st.”

Newsom’s office referred questions to the state’s human resources department, which declined to comment.

The number of people doing their jobs from home varies widely around the world, the Global Survey of Working Arrangements found. In Latin American countries where workers were surveyed, the rate of working from home was much lower than in the U.S., with an average of one day in Mexico and 1.4 days in Brazil. Asian countries had the lowest rates, with China, Japan and South Korean workers spending on average less than one day a week remote. In India, the working-from-home average came in at 1.6 days a week.

In a January presentation to the American Economics Association, Bloom broke down working-from-home by industry, saying finance and insurance workers did the most remote work, at about 2.4 days a week, with information workers — including some tech employees — following close behind at about 2.3 days. In retail, hospitality and food services, which require many on-site workers, the average was less than one day a week.

Bloom highlighted the commuting issue that has driven much of the conflict between employees and employers, telling the economists’ group that workers save 70 minutes on average every day they do their jobs from home. Another 10 minutes a day of time savings comes from being able to work without showering, donning fresh clothing, shaving or putting on makeup, Bloom said.

Bloom also noted that remote work has hollowed out the downtowns of many U.S. cities. In the San Jose area, only about 51% of seats in offices were occupied as of April 16, and in the San Francisco area, only about 43% of space was occupied, Kastle Systems, which generates office-occupancy numbers using data from people using badges to enter their workplaces, reported this week.

“Folks selling office space are not happy,” Bloom noted.

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Tyler Perry Helped Ryan Coogler Secure A Game-Changing Deal For ‘Sinners’ That Will Pay Off For Generations

Tyler Perry played a hand in Ryan Coogler securing a groundbreaking deal. Award-winning director Coogler released “Sinners” in theaters on April 18. According to Forbes, the horror film, which had a $90 million production budget and featured Michael B. Jordan, Hailee Steinfeld, and Miles Caton, garnered $365.9 million worldwide. The film marked a reset for […]

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Tyler Perry played a hand in Ryan Coogler securing a groundbreaking deal.

Award-winning director Coogler released “Sinners” in theaters on April 18. According to Forbes, the horror film, which had a $90 million production budget and featured Michael B. Jordan, Hailee Steinfeld, and Miles Caton, garnered $365.9 million worldwide. The film marked a reset for Coogler, who previously worked on sequels for “Black Panther” and “Creed.”

Photo Credit: Alberto E. Rodriguez
“I’ve been in a space of making franchise films for a bit, so I wanted to get away from that,” Coogler told Ebony magazine. “I was looking forward to working on a film that felt original and personal to me and had an appetite for delivering something to audiences that was original and unique.”

Beyond the plot and visual storytelling of “Sinners,” Coogler also made headlines for the business deal he secured for the film with Warner Bros. The New York Times reports he was given a portion of gross ticket sales before the studio takes its cut, an arrangement that was more common in the past for prominent stars and directors. As AFROTECH™ previously reported, Coogler will also secure final cut rights (removing the studio’s final say in certain editing and directing choices) as well as full ownership of the film in 25 years. Additionally, he earned a percentage of “Sinners’” box office return immediately when it was released. The deal could reportedly earn Coogler millions for generations in the future.

What’s more, Perry reportedly played a key role in encouraging Coogler to take this approach with his film. Perry himself owns the intellectual property of his projects, which include over 1,200 episodes of television, 22 feature films, and at least 24 stage plays, per BET.

“Everybody’s talking about the ‘Sinners’ deal. He got this amazing deal. Listen, I called that brother up, as I did a lot of them, I called him up after ‘Black Panther’ and I said, ‘Listen, here is how you do it,’” Perry shared on the “Den of Kings” podcast. “The deal that he has, my first movie, it’ll be 20 years this year from ‘Diary of a Mad Black Woman.’ I called him up and said, ‘Here is how you do that deal.’ And to see that they were able to pull it off. I applaud him, man. I’m excited for him because that’s what it’s about. Holding on to the ownership.”





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Inside Edge Sound Research’s new broadcast product

One of ESPN’s first visitors to its new studios for flagship programs “Get Up” and “First Take”? That would be Whoopi Goldberg. Turns out, one of the hosts of “The View” is a big sports fan, and her show tapes just down the hall from ESPN’s morning shows at Disney’s new Manhattan digs. In the […]

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One of ESPN’s first visitors to its new studios for flagship programs “Get Up” and “First Take”? That would be Whoopi Goldberg. Turns out, one of the hosts of “The View” is a big sports fan, and her show tapes just down the hall from ESPN’s morning shows at Disney’s new Manhattan digs.

In the basement of the new Hudson Square building, near SoHo in Lower Manhattan, you can find studios for “First Take,” “Get Up,” “Unsportsmanlike,” “The View,” “Live with Kelly and Mark,” “Tamron Hall” and “Good Morning America” — the first time Disney united the ESPN and ABC live shows under one roof.

ESPN vacated its Seaport Studios NYC home earlier in 2025 after seven years. “Get Up” debuted from its new studio on June 9, and “First Take” followed from the studio next door on June 23. The Disney side departed its uptown offices and studios slightly earlier, with “The View” its first studio show to broadcast from the new home.

“There’s this new level of integration that comes from being within a Disney building like that,” said Mike Foss, ESPN senior vice president, studio and entertainment. “The first month has been exceptional, but we’re really only beginning to tap into the potential of that space, which is really exciting.” Foss is a 2025 SBJ Forty Under 40 honoree.

Disney-owned shows originating from Hudson Square

“Get Up”

“First Take”

“Unsportsmanlike”

“The View”

“Live with Kelly and Mark”

“Good Morning America”

“Tamron Hall”

The hope is for more cross-pollination between ESPN and Disney talent on-air, especially with the proximity of the studios. Joe Buck and Malika Andrews have appeared on “Good Morning America,” and other ESPN shows are jockeying for guest appearances at Disney’s new New York headquarters, officially named the Robert A. Iger building.

In less than two months since its opening, “Sunday Night Baseball: Statcast Edition,” “NBA Today” and “ESPN FC” can all claim to have aired from 7 Hudson.

“One of the goals when we opened Seaport was to make it a true content factory,” said Chris Calcinari, ESPN senior vice president of content operations, noting that over the years shows including “SportsCenter,” “NFL Countdown” and “NBA Today” all broadcast from the downtown studios.

“Our goal is just to create the same environment at 7 Hudson, where all those shows get excited to come to New York. I’m really looking forward to the fall and seeing what else we can do there,” said Calcinari.

Much of the 19-story, 1.2 million-square-foot building is glass, bringing in plenty of natural light. A cafeteria and common space houses a Starbucks, and that area can also be used to host live studio shows. 7 Hudson also has a large screening room and a company store.

Disney signed a 99-year, $650 million lease for the space in 2018. Four existing structures were demolished, making way for Disney’s complex, which now takes up an entire city block.

On set

On a Thursday morning in July, the ladies of “The View” walked past the studio for “Get Up” heading to the green room. According to folks at ESPN, it’s not uncommon to see guests and talent from the ABC shows, as green rooms are shared.

“You can’t plan for that stuff or design for that stuff, but the fact that you have all these elements together, you’re inviting this chemistry to just manifest organically,” said Foss.

A lot of ESPN talent tends to take time off in July, which typically is a slower sports month. The day Sports Business Journal was on set, Dan Graziano filled in for Mike Greenberg on “Get Up,” and Courtney Cronin subbed in for the “First Take” crew. NBA talk was heavy in both shows, with topics including Cooper Flagg’s Summer League debut (and the price of a ticket), and Nikola Jokic’s future.

The studio for “Get Up” pays homage to New York, with memorabilia from the subway scattered throughout. Of course, Greenberg’s Northwestern football jersey is framed.

“You step into both of those studios now, and they really embody and reflect the shows,” said Foss. “We’ve had a really nice runway to build and prepare for this move, and you really see it manifest in the finished set pieces.”

The studio for "Get Up" pays homage to New York with memorabilia from the subway scattered throughout the space.
The studio for “Get Up” pays homage to New York with memorabilia from the subway scattered throughout the space. ESPN Images

Calcinari concurred, saying the “Get Up” studio “screams New York,” adding, “We’re really trying to make that studio look like New York, with subway tiles and the LEDs displaying scenes of New York City.”

“First Take” has three distinct looks and utilizes 360-degree camera angles while shooting, making it more difficult for visitors to observe filming than “Get Up.”

Those looks include the main “First Take” desk area, which is shot in the round with a large LED wall behind them to support scenic, graphic or video elements. Then there’s the South Wall area, which the show used for “NBA Today” during the NBA Draft. That spot also has a large LED wall. The third is the West Wall, which has an LED wall that talent can either be seated or stand in front of.

Upgraded tech

While Seaport had been a good home for ESPN, the company had essentially maxed out its possibilities, and got major upgrades at Hudson Square. It also no longer has to compete with rooftop concerts at Pier 17.

“We’re in a much-improved technical facility,” said Calcinari, adding that the studio can do UHD (ultra high definition) and HDR (high dynamic range).

Both ESPN studios are the same size (2,100 square feet), and slightly smaller than Seaport. Both heavily use LED, a difference from Seaport. The studio for “Get Up” kept essentially the same design and look as its old home, but has an LED floor and a curved LED wall with a touch screen. The use of LED is the biggest change from Seaport, with both studios essentially LED screens all the way around, moving from the natural scenery to LED.

Each show uses six cameras with a mix of robo, jib and handheld. The studios also utilize a remote integration production model, meaning the control rooms and production teams are in Bristol.

“The core guts of executing the show [are] still back in Bristol,” said Calcinari.

Collaborative benefits

“From a communication standpoint, from a collaboration standpoint, both from the operation side and the content side and production side, because it’s a Disney building — the integration is just so much stronger and more aligned,” said Foss. “There were quirks that came with working out of Seaport — they were lovable quirks, but there were some hiccups and challenges to that.”

Added Foss: “Having all that streamlined, being able to have quick, immediate communication and infrastructure between Bristol and 7 Hudson, again, it’s [going to] make it so much sharper and more efficient in the way that we produce both of those shows, and other shows that obviously are going to come from there.”

The Living Room of 7 Hudson is among the common spaces intended to encourage mingling among talent and crews with a goal of collaboration.
The Living Room of 7 Hudson is among the common spaces intended to encourage mingling among talent and crews with a goal of collaboration. ESPN Images

The Hudson studios allow easier communication with ESPN headquarters in Bristol, where the bulk of the shows are still produced. According to Foss, a satellite studio such as Seaport existed “on its own island.”

“You [were] deprived of a lot of the other things that shows that are based in Bristol take advantage of all the time,” said Foss, pointing to ease in communicating with researchers, coordinating with talent bookers or bumping into Michael Strahan on your way to the cafeteria.

“There’s these intangible things that come from working in a bigger production space with other production groups and units that naturally afford you to elevate your own game and productions,” said Foss.

“There’s these intangible things that come from working in a bigger production space with other production groups and units that naturally afford you to elevate your own game and productions.”

—  Mike Foss, ESPN senior vice president, studio and entertainment

There aren’t concrete plans to shift further production from Bristol to the new studios, but having the New York space does create ease in attracting talent, and also the benefit of being near major events, such as the FIFA Club World Cup earlier this month.

“It’s not so much we’re shifting more or all shows into that space, but just having the ability to make these timely strategic decisions and have a space that can accommodate [at] the snap of a finger, that’s a huge benefit,” said Foss.



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amp just raised the bar for digital gyms with an AI coach that learns as you lift

The connected fitness industry has spent the past decade digitizing traditional gym experiences, streaming classes, tracking basic metrics, and building content libraries. But a new wave of AI-driven workouts is challenging this entire model with something that can’t easily be replicated: artificial intelligence that actually thinks during your training session. amp, a US-based fitness innovation […]

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The connected fitness industry has spent the past decade digitizing traditional gym experiences, streaming classes, tracking basic metrics, and building content libraries. But a new wave of AI-driven workouts is challenging this entire model with something that can’t easily be replicated: artificial intelligence that actually thinks during your training session.

amp, a US-based fitness innovation startup, is launching what may be the industry’s most sophisticated AI Coach to beta users this month, with plans for broader deployment throughout 2025. Unlike existing smart home gym platforms that rely on pre-recorded content and static programming, amp’s adaptive fitness technology creates workout plans that evolve in real-time based on thousands of performance indicators.

The technical challenge behind adaptive fitness technology

Building effective AI-driven workouts requires solving problems that don’t exist in other AI applications. Unlike recommendation engines or chatbots, fitness AI must understand the dynamic relationship between human physiology and performance adaptation – variables that shift constantly based on sleep, stress, recovery, and dozens of other factors.

“Traditional fitness platforms treat performance fluctuations as noise to be filtered out,” explains a spokesperson for amp. “We treat them as essential metrics that inform better training decisions.”

When you complete an exercise, amp doesn’t just record weight and repetitions. The adaptive fitness technology analyzes movement velocity, range of motion consistency, rest period duration, and how these metrics compare to your historical patterns. This multidimensional approach creates AI-driven workouts that understand not only what you accomplished, but how efficiently you accomplished it.

Real-time processing meets predictive analytics

Most fitness tracking operates reactively – documenting what happened after exercises are completed. amp’s AI Coach takes a predictive approach, using machine learning models to anticipate what your body needs next based on subtle performance indicators that precede conscious fatigue recognition.

The technical architecture processes multiple data streams simultaneously through computer vision systems that track movement patterns via smartphone cameras, electromagnetic sensors that monitor cable tension and velocity, and accelerometers that capture micro-movements indicating form breakdown or readiness for progression.

This creates feedback loops that operate on millisecond timescales, enabling the adaptive fitness technology to modify resistance patterns during exercises rather than between them. If movement velocity decreases beyond optimal ranges, the AI Coach can reduce load before form deterioration compromises safety or training effectiveness.

Machine learning models that evolve with users

The sophistication of amp’s approach lies in its neural networks optimized for time-series biomechanical data. Unlike rule-based algorithms that follow predetermined decision trees, these models develop an increasingly nuanced understanding of individual user physiology over time.

The AI-driven workouts platform maintains detailed performance models across different exercises, recovery states, and environmental factors. When users begin sessions, the system already has predictive frameworks in place that account for likely performance based on training history, sleep data from connected wearables, and circadian rhythm patterns.

These predictions enable proactive programming adjustments. The adaptive fitness technology might pre-load lighter resistances if recovery indicators suggest suboptimal readiness, or recommend power-focused exercises when biomarkers indicate peak performance states.

Celebrity expertise through AI avatar technology

amp combines this technical sophistication with coaching knowledge from fitness industry experts like Terry Crews, Chris Heria, and Kinga Strogoff. Rather than simply streaming pre-recorded content, the platform uses what they term “AI Avatar technology” to apply expert coaching principles to individual user situations in real-time.

The AI-driven workouts system understands the biomechanical rationale behind coaching decisions and adapts expert guidance to specific user capabilities and limitations. When Terry Crews emphasizes explosive movement patterns for power development, the adaptive fitness technology identifies optimal moments for these cues based on current user strength levels and movement quality.

Hardware innovation enables software sophistication

The effectiveness of AI-driven workouts depends heavily on hardware capable of executing real-time decisions. amp’s electromagnetic resistance system can modify load patterns smoothly during individual repetitions – a capability that traditional mechanical systems cannot match.

Three distinct resistance modes demonstrate this integration: Band Mode simulates progressive resistance band behavior with real-time curve modifications based on user performance. Eccentric Mode adds load during lowering phases while modulating this additional resistance based on fatigue indicators. Fixed Mode maintains consistent challenge throughout movements but adjusts baseline resistance automatically based on form quality metrics.

This hardware-software integration enables adaptive workouts that feel responsive rather than predetermined, creating training experiences that evolve with user capability in ways that static programming cannot achieve.

Market implications for fitness technology

amp’s approach represents a fundamental shift from content-driven platforms to intelligence-driven training. While competitors can hire celebrity instructors or improve video production quality, they cannot easily replicate machine learning systems that understand individual user physiology without significant infrastructure investment.

The company’s $1,795 device price point, combined with $23 monthly subscriptions supporting up to 15 household members, disrupts traditional smart fitness economics. Unlike content platforms where additional users don’t significantly enhance core experiences, amp’s AI-driven workouts become more valuable as they learn from diverse user patterns within the same household.

The trajectory of intelligent fitness

As amp continues to expand AI Coach capabilities throughout 2025, its adaptive fitness technology suggests a future where workout equipment genuinely understands user goals, limitations, and daily variations. This moves beyond tracking what happened to predicting what should happen next – a distinction that may define the next generation of fitness technology.

The engineering principles behind amp’s AI-driven workouts could eventually inform everything from physical therapy protocols to athletic performance optimization, demonstrating how sophisticated AI applications can emerge from solving real human problems rather than purely technical challenges. For an industry built on helping people achieve consistent progress, intelligence that adapts to human variability rather than ignoring it may be the most important innovation of all.

Prices and availability are accurate as of the time of publication and are subject to change without notice. Please check the retailer’s website for the most up-to-date pricing information.


VentureBeat newsroom and editorial staff were not involved in the creation of this content. 



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AI Is Fueling Tech Layoffs — But It’s Boosting Salaries By $18K A Year In Other Industries, Report Finds

AI is rapidly transforming the job market. In tech, companies are cutting jobs. In other industries, however, professionals with AI skills are finding higher pay and new opportunities. A report by labor market analytics firm Lightcast, cited by Fortune, shows the shift is already in progress. The report, “Beyond the Buzz,” analyzed over 1.3 billion […]

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AI is rapidly transforming the job market. In tech, companies are cutting jobs. In other industries, however, professionals with AI skills are finding higher pay and new opportunities.

A report by labor market analytics firm Lightcast, cited by Fortune, shows the shift is already in progress. The report, “Beyond the Buzz,” analyzed over 1.3 billion job postings. It found that while some tech roles are declining, demand for AI skills is rising in marketing, education, finance, and human resources.

Tech Jobs Are On The Chopping Block

Over the past year, tech companies have cut jobs while expanding their AI investments, Crunchbase reports.

Automation is taking over roles in software development, IT support, and administration. Fortune reports that up to 80,000 workers have been affected. Microsoft alone has cut 15,000 jobs while investing $80 billion in AI, the outlet states.

Lightcast data confirms the trend. AI-skilled jobs in IT and computer science dropped from 61% in 2019 to 49% in 2024, per the report. While total AI job postings are increasing, fewer are based in traditional tech departments.

AI Skills Are Paying Off In Other Industries

In 2024, over half of AI-related job postings appeared in non-tech sectors, according to Lightcast. On average, these offer a salary increase of $18,000 per year — a 28% boost compared to similar jobs without AI requirements.

Fortune notes that listings requiring two or more AI skills can offer up to 43% higher salaries. Demand is growing fastest in marketing, sales, customer support, and manufacturing.

The use of tools like ChatGPT, Microsoft Copilot, and DALL-E has exploded — especially in creative and customer-facing roles where AI can support everything from writing ad copy to streamlining customer service requests, the outlet reports.

Additional Lightcast findings, per Fortune, report that generative AI was cited in more than 66,000 job postings in 2024, marking an increase of nearly four times that of the previous year.

Human Skills Still Carry Weight

Despite automation, employers still value human skills. According to Fortune, the top non-technical traits mentioned in AI-related job listings include communication, leadership, problem-solving, and research.

“While generative AI excels at tasks like writing and coding, uniquely human abilities—such as communication, management, innovation, and complex problem-solving—are becoming even more valuable in the AI era,” the report says.

According to Fortune, experts agree that AI fluency is becoming essential in the workplace. Christina Inge, founder of Thoughtlight, says workers who can prompt tools, fix errors, and interpret AI outputs bring added value to employers.

In fields such as customer service and sales, AI tools are being used to support interactions with clients and improve workflow efficiency. “That combination of human judgment and AI fluency is hard to find and well worth the extra pay,” Inge told Fortune.

The financial effects of AI skills differ by industry. In an interview with Fortune, Cole Napper, vice president of research, innovation, and talent insights at Lightcast, said the data showed no clear pattern across sectors. He did note that roles in the arts appeared frequently among positions listing AI skills.

Napper also told Fortune that ignoring AI trends may reduce earning potential. Lightcast plans to release a more detailed income breakdown in future research.





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This Brilliant New Technology Could Drive Taiwan Semiconductor to Become a $3 Trillion Company

Taiwan Semiconductor (NYSE: TSM) is currently valued at around $1.25 trillion, making it the ninth-largest company in the world. Normally, investors don’t expect these large companies to produce outstanding growth, as the larger a business gets, the more difficult it becomes for it to grow. However, TSMC has monster growth projections on the table, as […]

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Taiwan Semiconductor (NYSE: TSM) is currently valued at around $1.25 trillion, making it the ninth-largest company in the world. Normally, investors don’t expect these large companies to produce outstanding growth, as the larger a business gets, the more difficult it becomes for it to grow. However, TSMC has monster growth projections on the table, as well as a new technology that could drive shares much higher.

Rising from today’s $1.25 trillion valuation to a $3 trillion valuation would require a 140% return. However, management believes there’s plenty of growth in store for Taiwan Semiconductor to meet this threshold.

Inspector holding up a microchip.
Image source: Getty Images.

Taiwan Semiconductor is the world’s leading semiconductor foundry. Its business strategy is to offer its clients best-in-class chip production technologies, and not compete against them. This business model has worked out incredibly well for TSMC, and its customer list ranges from Nvidia to Apple to Tesla. If you have a cutting-edge technology device, it’s likely that it contains a chip manufactured by Taiwan Semiconductor.

One of the reasons TSMC established itself at the top of its industry is its dedication to driving the next greatest innovation. In recent chip launches, Taiwan Semiconductor outpaced its peers by offering the most advanced technology available first. That doesn’t seem to be changing, as it has some promising technology in the pipeline.

Later this year, Taiwan Semiconductor is expected to launch its N2 chip node, indicating 2nm (nanometer) spacing between traces. The pre-launch demand for the N2 node exceeds that of the 3nm and 5nm offerings. This is big news for Taiwan Semiconductor, as the improvements this generation offers are substantial enough that many companies are designing their products around this new technology.

The biggest improvement the N2 offers its users is energy efficiency. This has implications for the smartphone industry, with longer-lasting phones being more desirable. Additionally, the energy consumption of AI computing devices to run generative AI prompts is becoming a front-and-center topic. When N2 chips are configured at the same processing speed as 3nm chips, they consume 25% to 30% less energy. That’s a massive improvement, and the energy savings from these chips may warrant upgrading to new computing units.



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How ESG-Driven Sports Companies Are Capturing the Future of Fan Engagement

The global sports industry is undergoing a seismic shift. No longer just about entertainment or revenue, it is becoming a battleground for ethical labor practices and environmental stewardship. For investors, this transformation presents a golden opportunity: companies aligning with ESG (Environmental, Social, and Governance) criteria through labor reforms and fan sentiment shifts are not only […]

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The global sports industry is undergoing a seismic shift. No longer just about entertainment or revenue, it is becoming a battleground for ethical labor practices and environmental stewardship. For investors, this transformation presents a golden opportunity: companies aligning with ESG (Environmental, Social, and Governance) criteria through labor reforms and fan sentiment shifts are not only attracting capital but also reshaping the very fabric of sports.

The Labor Reforms Reshaping Sports

The demand for ethical labor practices in sports venues is no longer a niche concern. From stadium workers to athletes, the push for fair wages, safe conditions, and inclusive policies is gaining momentum. The Paris 2024 Olympics, for instance, has committed to halving its carbon footprint compared to past games, while ensuring that all contractors adhere to strict labor standards. This includes fair pay for event staff and partnerships with local unions to protect workers’ rights. Similarly, Wimbledon’s pledge to achieve net-zero emissions by 2050 includes labor reforms such as training programs for staff to reduce waste and improve energy efficiency.

Nike and Adidas, two titans in sports apparel, have also made strides. Nike’s 2023 Sustainability Progress Report details partnerships with the Fair Labor Association (FLA) to audit factories and improve worker conditions. Adidas, meanwhile, has integrated GOTS-certified materials into its supply chain, ensuring both environmental and labor ethics. These initiatives are not just corporate gestures—they are strategic moves to align with a growing base of socially conscious consumers.

Fan Sentiment: The New Currency of Value

The rise of Gen Z and millennial fans has further accelerated this shift. These demographics prioritize brands that reflect their values, and they are willing to pay for alignment. A 2024 study by ESG in Sports revealed that 72% of fans prefer teams and leagues that promote sustainability and ethical labor. This has led to a surge in demand for “shoppable” content—social media campaigns that let fans purchase eco-friendly merchandise while learning about a team’s ESG goals.

Take the Portland Timbers, an MLS team that partnered with Fair Trade Certified manufacturer Alta Gracia to produce ethically sourced gear. The move not only boosted the team’s reputation but also drove a 40% increase in merchandise sales. Similarly, the UCI’s collaboration with Shimano to create eco-friendly cycling events has attracted sponsors like Patagonia, whose ESG-aligned branding resonates with their target audience.

The Investment Case: ESG as a Competitive Edge

For investors, the financial implications are clear. Companies that integrate ESG into their operations are outperforming peers in valuation premiums and long-term stability. A 2024 study by the EU Green Sports Expert Group found that sports organizations with strong ESG performance saw a 22% higher return on investment compared to those without. This is driven by lower operational risks, stronger brand equity, and access to green financing.

Consider the case of the International Olympic Committee (IOC), which has embedded ESG into its governance framework. The IOC’s “Sports for Climate Action” initiative, with over 200 signatories, has not only reduced emissions but also attracted partnerships with ESG-focused investors. The framework’s requirement for annual public reporting ensures transparency, a key factor for institutional investors prioritizing ESG compliance.

Risks and Opportunities in the ESG Landscape

While the trend is undeniable, investors must remain cautious. Greenwashing—a practice where companies overstate their ESG credentials—remains a risk. For example, some leagues have faced criticism for vague sustainability claims without actionable labor reforms. To avoid this, investors should focus on companies with third-party certifications (e.g., GOTS, Fair Trade) and transparent reporting.

Another challenge lies in balancing short-term costs with long-term gains. Ethical labor reforms, such as fair wages and sustainable sourcing, can strain profit margins. However, the data suggests these costs are offset by increased consumer loyalty and regulatory compliance. For instance, the Singapore Rugby Union’s partnership with HSBC to ensure gender parity in the Sevens Series has not only enhanced its ESG profile but also attracted new sponsors seeking to align with inclusive brands.

Conclusion: Building a Portfolio for the Future

The sports industry’s pivot toward ESG is not a passing fad—it is a structural shift. As labor reforms and fan sentiment continue to evolve, investors who prioritize ethical companies will reap the rewards. Key players like Nike, Adidas, and UCI are setting benchmarks, but the real opportunity lies in early-stage ventures leveraging technology to solve ESG challenges.

For example, startups using AI to monitor supply chain labor conditions or platforms that connect fans with carbon-offset initiatives are emerging as disruptors. These innovations could redefine how sports organizations engage with stakeholders, creating new investment avenues.

In conclusion, the rising demand for ethical labor practices in sports is not just a moral imperative—it is a financial one. By investing in companies that align with ESG trends, investors can capitalize on a market that values sustainability, inclusivity, and long-term resilience. The future of sports is not just about winning games; it’s about winning the trust of a generation that demands more from the brands they support.



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