Technology
Best Apps for Adults Over 50: Stay Connected & Active
As technology continues to evolve, adults over 50 are increasingly looking for apps to stay connected, learn new things, improve their fitness, and find new forms of entertainment. Whether you’re looking to video call loved ones, travel, or explore new hobbies, there’s an app for you.
Travel & Navigation Apps
Uber/Lyft (Free, iOS & Android)
For hassle-free transportation, Uber and Lyft allow you to request a ride with just a few taps on your phone.
Roadtrippers (Free with premium options, iOS & Android)
Getting ready to hit the road? Roadtrippers helps plan scenic routes, find attractions, restaurants, and hidden gems along your journey. It’s perfect for RV or car travel.
Skyscanner (Free, iOS & Android)
Skyscanner compares flight, hotel, and car rental prices by searching multiple airlines and travel websites to find the best deals. It includes flexible search options, such as “cheapest month” and “explore everywhere” for spontaneous travelers.
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Health & Wellness Apps
MyFitnessPal (Free, iOS & Android)
Maintaining a healthy diet is easy with MyFitnessPal. This app helps you track calories, log meals, and monitor nutritional intake. It also syncs with fitness devices to track exercise and overall well-being.
Pacer Pedometer & Step Tracker (Free, iOS & Android)
Walking is one of the best exercises for all ages. Pacer Pedometer tracks your steps and calories burned throughout the day. You can also set fitness goals and join virtual walking groups.
Medisafe Pill Reminder (Free, iOS & Android)
Never forget to take your medications again! Medisafe Pill Reminder sends you notifications when it’s time to take your medicine, making it perfect for managing multiple prescriptions and/or caring for a loved one.
Calm (Free with in-app purchases, iOS & Android)
If you need a way to reduce stress and improve sleep, Calm offers guided meditations, relaxing music, and bedtime stories designed to help you unwind.
Brain-Boosting Apps
Lumosity (Free with premium options, iOS & Android)
Want to keep your brain sharp? Lumosity offers scientifically designed brain-training games to enhance memory, attention, and problem-solving skills.
Duolingo (Free, iOS & Android)
It’s never too late to learn a new language! Duolingo makes it easy and fun to start speaking a new language with bite-sized lessons, quizzes, and pronunciation guides.
Kindle (Free, iOS & Android)
If you love reading, the Kindle app provides access to thousands of books, from bestsellers to classic literature. You can even adjust font sizes and use the text-to-speech feature for better accessibility.
Staying Connected: Communication Apps
WhatsApp (Free, iOS & Android)
WhatsApp is a must-have app for staying in touch with friends and family. With its simple interface, you can send text messages, make voice and video calls, and even share photos and documents. Plus, it works internationally without extra charges, making it ideal for keeping up with loved ones worldwide.
Zoom (Free, iOS & Android)
Whether for family catch-ups, virtual meetups with friends, or even online classes, Zoom provides high-quality video calling. You can set up meetings with multiple people, making it a fantastic option for group chats and virtual reunions.
Facebook (Free, iOS & Android)
Facebook remains one of the most popular platforms for people over 50. It allows you to stay updated on friends and family, join community groups, and even explore new interests.
Finance & Budgeting Apps
Mint (Free, iOS & Android)
Managing your finances has never been easier. Mint helps track your spending, set budgets, and get bill reminders—all in one place.
Acorns (Paid subscription, iOS & Android)
Acorns is an investment app that rounds up your everyday purchases to the nearest dollar and invests the spare change. It’s an easy way to start investing if you’ve never done so before, or if you’d like to teach your children or grandchildren how to do so!
Credit Karma (Free, iOS & Android)
Credit Karma helps users monitor their credit scores and reports. It also provides insights into improving credit, finding better financial deals, and even potential savings on loans and credit cards.
Entertainment & Hobbies
Spotify (Free with premium options, iOS & Android)
If you love music or podcasts, Spotify offers a vast library of songs and shows. You can create playlists and listen to your favorite tunes anytime.
YouTube (Free, iOS & Android)
YouTube is perfect for everything from watching how-to videos to catching up on news, concerts, or even taking virtual travel tours.
Audible (Paid subscription, iOS & Android)
For audiobook lovers, Audible provides thousands of books narrated by professionals. Great for listening while walking, driving, or kicking back on the couch.
Pinterest (Free, iOS & Android)
Pinterest is an excellent app for discovering new hobbies, from cooking and gardening to DIY projects and home decorating.
There’s an App for That!
Technology should enhance our lives, and these apps help you stay connected, healthy, entertained, and informed. Whether you’re looking to stay in touch with family, learn a foreign language, or improve your finances, there’s an app that will meet your needs.
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South Africa’s esports scene is levelling up, from casual hobby to serious business, with prize pools, sponsorships, and professional contracts turning gamers into earners. It is opening new career pathways and reshaping how young people interact with digital innovation and competitive play.
Esports is the structured, competitive side of video gaming, where players, individuals or teams, face off in professional tournaments and leagues. They compete for prizes, and recognition while fans watch and cheer them on, either online or at live events, just like in traditional sports. Structured leagues, tournaments, and ranking systems organise esports players. Professional players may have coaches, analysts, and dedicated training schedules, much like conventional athletes.
“Today, esports is not only about playing games,” said Jaco Sauer, co-founder and general manager at RGB Gaming, an esports management and development company. “It is an all-encompassing programme that gives players exposure to everything from tournaments and hackathons to game design and business development.”
As South Africa positions itself within the global digital economy, esports is becoming a gateway for youth participation in technology-driven industries. Beyond the prize money and tournaments, it is nurturing a new generation fluent in coding, data analytics, content creation, and entrepreneurship. The country’s expanding esports ecosystem is also catalysing innovation in streaming and marketing, proving that gaming can be both an economic accelerator and a tool for digital inclusion.
Largest esports market on the continent
South Africa’s esports market was valued at about $14.3 million in 2020. Since then, it has surged and is expected to reach approximately $29 million in revenue in 2025, with projections as high as $44.1 million by 2030. The revenue combines sponsorships, prize pools, advertising, media rights, and merchandise among others. The market has also experienced annual growth rates of 18.7% to 24%, driven by higher sponsorships, digital engagement, and mobile access.
Sauer noted that esports betting has emerged as a significant driver in South Africa and globally. With the rise of professional gaming tournaments and increased viewer engagement, fans are placing real-money wagers on match outcomes, player performances, and in-game events.
PwC’s Africa Entertainment and Media Outlook 2025–2029 report shows that South Africa is Africa’s largest esports market, supported by local tournaments, campus leagues, and community-led gaming hubs. Organisations like Mind Sports South Africa (MSSA) and the Confederation of African Esports (CAES) are helping local gamers across mobile, desktop, and console platforms rise through global ranks. Also, private tertiary institutions like Eduvos are investing heavily in esports, not only as a sport but as a learning platform that blends teamwork, digital literacy, and critical thinking.
Eduvos launched its campus-wide esports programme in 2023, driven by the belief that gaming builds transferable skills that matter in the workplace. The university has rolled out esports across all 12 campuses, with over 300 gamers, and partnerships with eight high schools.
“Esports has been a big push for us since last year,” says Tony Matchaba-Hove, Eduvo’s Bedfordview Campus general manager. “The link between education and gaming is what is driving us, the need to create future-ready graduates. Too often, students leave university with knowledge that is not easily transferable to the working world. Gaming helps us close that gap.”
Ruben dos Santos Pires, a third-year student in software engineering, has been part of Eduvo’s esports community for two years. He competes in Overwatch and Apex Legends and has won several tournaments. He says gaming has helped him manage stress and stay focused.
“The competitiveness of esports is what keeps me going,” he says. “It’s friendly, but I also get creative ideas from the games, and there are prizes, tournaments, and a sense of achievement.”
“Students are not just gaming for entertainment; they are integrating competitive play, digital learning, and tech-focused extracurriculars as part of their academic growth. “It’s a tool for wellness, teamwork, and even career preparation,” Tian van der Merwe, an information technology lecturer at Eduvos, adds.
Following the esports money
South Africa is home to some of Africa’s biggest esports competitive teams, including ATK, Bravado Gaming, and Goliath Gaming. In 2020, Cloud9 signed a South African duo to play Counter-Strike: Global Offensive (CS:GO), putting local talent on the global stage.
Globally, esports is now a multi-billion-dollar industry. Some of the world’s top players, like Denmark’s Johan “N0tail” Sundstein, who has earned over $7 million from 130 tournaments, rival traditional athletes in earnings.
South Africa’s numbers are smaller but rising. A total of 846 South African esports players have collectively earned over $2 million in prize money across 648 tournaments, according to Esports Earnings, a site that monitors esports earnings for gamers around the world. The site shows that the most lucrative title is CS:GO accounting for over $1 million in winnings, 43% of all earnings by South African competitors. Among them, Ioannis “JT” Theodosiou stands as the country’s top-earning player, with total winnings of over $250 000, of which nearly $170 000 or 67%, comes from competing in CS: GO
Banking on gaming
South Africa’s big corporations are getting into esports. Nedbank, through its YouthX initiative, has partnered with Goliath Gaming, one of South Africa’s leading teams, to create opportunities for aspiring esports players. Telecoms like MTN, Vodacom, and Telkom are also backing tournaments, building digital arenas, and sponsoring leagues. During these esports tournaments, young gamers often receive professional training while they compete for cash prizes.
In 2025, Comic Con Africa featured a total prize pool of more than R600,000 ($34 722) for its major esports tournaments, including Telkom VS Gaming’s High School Esports League and CS2 Masters.
Gender balance
The gender balance in South African esports has been gradually shifting, with notable efforts and recent milestones aimed at increasing female participation and visibility in the industry.
Major events like the 2024 Mzansi Esports Champions, held at Johannesburg’s rAge Expo, have placed African women esports players in the spotlight, with South African player Zahraa Khan (“Iron-Fist”) winning the championship against competitors from eight Southern African countries. MSSA federation has implemented policies to strive for gender equality in national squads, aiming for about 50% female representation in team selections where possible.
“We are seeing a massive increase in female gamers,” Sauer said. “Traditionally, esports was very male-dominated, but over the last two years, we have seen more women entering the space. Esports is one of the few sports that allows inclusivity across all levels, gender, age, background; it makes no difference,”
Popular games
The most popular genres remain first-person and third-person shooters (FPS/TPS), with CS:GO and PUBG MOBILE leading in both participation and revenue.
At Eduvos, students can participate in free inter-campus leagues that they organise themselves. But through partnership with RGB, they can also access a full catalogue of competitive games for a minimal subscription of R600 ($35) per block, or a R2400 ($140) annually, giving them access to everything, from Apex Legends to Valorant. That subscription also unlocks entry into Africa’s largest inter-campus esports league, as well as pathways to national competitions like Comic Con Africa and Rage.
As esports cements its place in South Africa’s digital economy, the next phase of growth will depend on investment in infrastructure, local content creation, and policy frameworks that nurture talent from the grassroots. The country stands at a tipping point, with universities, corporates, and tech innovators now treating gaming as more than recreation but as a viable industry and a skills engine. If data costs continue to fall and access to high-speed internet expands, esports could evolve into one of South Africa’s most dynamic youth-driven sectors.
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Shep is the creator of three major ventures that seek to tell authentic stories and foster interdisciplinary collaboration.
First, Shepland Creative is his development consultancy, specialising in helping entertainment brands define their proposition. From the grand vision to the finest detail, Shepland Creative understands audiences and designs unforgettable experiences for every visitor.
In addition, Shep is co-creator of Fuzzy Lightbulb, a new character development studio he has developed alongside his long-term collaborator and industry heavyweight Chris Barlow.
Most recently, Shep has launched a podcast series, getting notes from…, in which guests from the world of arts and entertainment are invited to share their insights into their own careers and creative processes.
In conversation with Shep and Fuzzy Lightbulb co-founder Chris Barlow, we discuss character-driven experiences, explore how meaningful storytelling is crafted through performance, design, and collaboration, and uncover what it takes to create lasting emotional connections with audiences.
A catalyst for collaboration
Shep started in entertainment as an actor and circus performer at the UK’s largest theme park while in drama school. This was his first professional contract, aside from minor TV roles.
It was the perfect start and a chance to learn from seasoned professionals. A culture of mentorship and shadowing allowed him to learn about the interdependencies between entertainment divisions, department connections, and theatrical craft.
“People were so generous with their time and dedicated to high-quality theatrical experiences and live entertainment. My manager Donna Speed facilitated learning, theatre manager Jason Noble (literally) taught me the ropes, and the gifted Rob Bagnall helped me hone improv and smash the fourth wall!”
Shep & Nick Reid at Alton Towers circa late 90s.
Shep knew early he wanted a career in arts and entertainment, so he focused on developing a transferable skill set with extensive experience. “Even before I began my studies, I made a habit of always choosing the most interesting option, working hard, learning and absorbing as much as I could, and finding good mentors.”
While studying, he began producing festivals at Bretton Hall, designing experiences that celebrated the landscapes and site-specific performances. These projects led him to Yorkshire Sculpture Park, where he organised events, live performances and the supporting activity programme for major exhibitions.
Shep describes this period as formative:
“There’s something special and magical about the Bretton Hall estate – its history, landscape, and possibilities. It was like Hogwarts for the arts, with just as many characters. There is a creative energy that exists there; it was a perfect place for young creatives to both lose and find themselves.”
At Bretton Hall, lecturer Mike Casey encouraged Shep’s interests in live performance, comedy, and politics, urging him to challenge norms and push the boundaries of what could be achieved in interdisciplinary groups.
Everything is connected
That experience and the confidence he gained are what equipped him for his time at Yorkshire Sculpture Park. There, Clare Lilley empowered him to be independent and take ownership of some incredible projects.
“It was thrilling, and in my early twenties, I didn’t fully appreciate this special chapter of my life. I owe much to Clare and her mentorship, which prepared me for my work and future career.
“She knew when I needed support and when to give me freedom. She taught me decisiveness, balancing pragmatism with boundary-pushing, and the importance of being uncompromising when necessary.”
Simon Armitage rehearses while Shep prepares in the background, The Twilight Readings at Yorkshire Sculpture Park , Bretton Hall
Jonty Wilde
The Yorkshire Sculpture Park is a gallery without walls, founded on the principle of making art accessible. “After studying, it was an educational experience that continues to influence my work to this day. Everyone should visit to stretch their legs – and broaden their mind.”
Having great mentors is a red thread throughout.
That approach, along with choosing ‘the interesting option’, has served him well, leading him to travel the world, deliver some unique and impressive projects, and collaborate with and meet some remarkable individuals and organisations, from the Poet Laureate to Judi Dench, Andy Goldsworthy to Sophie Ryder, Barney the Dinosaur to The Beach Boys.
“Looking back at my career as an actor, circus performer, art event producer, broadcaster, cruise director, group director, and now founder of a creative consultancy and a character development workshop, I can’t tell whether it’s a masterclass or mystery. Either way, it all links together. It’s been an eclectic and invaluable journey.”
“I still regularly draw on those different chapters of my life, still learning from them; they all connect.”
Sir Antony Gormley chats with Shep at the opening of the Isamu Noguchi exhibition at Yorkshire Sculpture Park, 2008Jonty WildeA bespoke approach
After years at big agencies promoting collaboration and leading major projects, Shep founded Shepland Creative to provide a more specialised, personalised approach.
“With some larger agencies, there can be a ‘churn’ and pace about things that can hinder proper creative development. Shepland Creative was born out of a demand for a more thoughtful and considered approach to creative development and innovation.
“Whether a cultural institute, entertainment brand or destination, the approach is always about understanding audiences, defining a proposition and then designing the events, experiences, campaigns and attractions that bring a message or story to life.”
Since launching nearly three years ago, it’s been an organic journey. Shepland Creative was approached by clients with whom Shep had legacy relationships, as well as new opportunities. The approach relies on strong research and industry expertise, helping brands stand out in an increasingly crowded and competitive market.
Shepland Creative has worked with some of the biggest brands in the industry, leading the design and development of major multi-million-pound entertainment propositions, as well as smaller, boutique, specialist events.
Global head of entertainment and events for Parque Reunidos, Diane Benedict, says: “So fortunate to have worked with Shep on a recent project. He delivered an exceptionally thorough audit of entertainment and events across multiple parks.
“His presentation was work is always filled with fresh, forward-thinking ideas—from new event concepts and character development to food & beverage enhancements and guest experience improvements.
“Shep’s creativity, insight, and strategic approach add tremendous value and will undoubtedly shape future offerings.”
Bringing brands to life with meaningful moments and thoughtful details
Working across theatre, themed entertainment, destination planning, cruise and brand activations, Shepland Creative currently provides clients with research and development, creative consultancy and end-to-end project management.
Shep in Bruce Wayne mode at Parque Reunidos
“We pride ourselves on creating meaningful moments and audience experiences, with feelings and value behind every touchpoint”, Shep says. “It’s about taking the time and making the difference for us, bringing stories or brands to life through the experiences we design, whether they’re big or small.
“So often it’s the tiniest detail that can have the biggest impact, when done thoughtfully. Whether a theatrical happening or a luxury hotel experience, those stories, details, and opportunities to leave a lasting impression… that’s what we’re passionate about, moments and details that matter.
“We dive into the detail and look for what’s special when we’re thinking about an organisation, we study their audience and create what’s next and what’s best – always future proofing as we go. It’s not (and nor should it be) fast work. We like to think we take the time and make the difference for our partners and clients.”
Notable collaborations
Almost ten years ago, Shep was director of entertainment and experience at Maho Village in Sint Maarten, overseeing all entertainment and live experiences, including theatrical productions, street carnivals, bespoke events, kids club concepts, ambassador characters, and luxury resort enrichment.
“The thing I loved most about this project was learning to appreciate the power of small, personalised touchpoints that can transform experiences. I was proud of the tailored moments we delivered and the cultural connection and community our team fostered.
“Through high-touch hospitality, intuition, and taking the time, our team infused intention and emotion into every guest experience, from check-in to departure. We crafted meaningful moments that fostered genuine relationships, creating a sense of belonging that encouraged repeat visits.”
Shep pictured with some of the Entertainment Department in Sint Maarten
“Sometimes, when you look at the resources you have, you realise there’s so much more you can do than just a repeat programme of scheduled events. You can react to moments, people’s uniqueness, and one-off situations to create more interesting offerings while keeping quality.
“This approach is creatively fulfilling, stimulating, and turns moments into ‘legendary happenings’.”
Shepland Creative has recently been working with Warner Hotels on the development of the new Reserve concept. “This is another great opportunity to work with a brand that pushes boundaries, blending historic landscapes with modern luxury, enriching experiences, and high-quality entertainment.
“It’s an exciting project.”
Matthew Williams, head of entertainment and experience, adds:
“Shep’s approach to creative development and innovation is always underpinned by fantastic research, rich industry experience, and his instinct. He eats, sleeps and breathes it, and always comes to the table with a clear vision and strong strategy for implementation.
“He’s been instrumental in helping to innovate our proposition and develop new experiences – with a particular eye for fusion, weaving moments of ‘experience’ into the wider guest journey.”
Shep on site at Heythrop Park for Reserve by Warner Hotels
Experience economy trends
With a lifetime of industry experience, Shep is well placed to comment on trends to watch.
“The crossover between entertainment sectors is fascinating. Cruise ships resemble theme parks. Theatre is becoming more immersive. Brand and IP collaborations are reinventing legacy properties, broadening audience appeal and fostering multigenerational interest.
“A lot is happening!”
He also discusses the post-COVID rise in brands seeking to build community with their audiences.
“Competing for people’s time and attention has never been more challenging, so content needs to be dynamic and of great quality, and relationships must be more engaging and meaningful.
“A great response is giving audiences more agency in their own experiences and products; fan fiction is being commissioned by IP owners (Alan Partridge), Lego pick fan favourites to become official sets, and individual audience members can actually become the story in immersive theatre (You Me Bum Bum Train / Phantom Peak).
Phantom Peak
“I love this approach and often think, while watching the latest franchise sequel, prequel, or ‘requel’… they really needed ‘fans’ involved in the development of this.”
Another post-COVID trend is increased focus on art and entertainment in placemaking, with people adopting a ‘destinational mentality’, as Shep calls it. “We’re working on some interesting public space projects where we’re consulting on how spaces can be more adaptable to suit not only the staging of events but also become a community hub.”
Often, creative teams are brought in after everything has been designed and built. “But now, we’re seeing more creative thinking brought in from the beginning, asking: ‘How can we make this space adaptable, offer a more infinite canvas? How can we design for a cultural or entertainment application from day one?
“Younger generations increasingly desire community hubs for shared experiences. Malls, cinemas, museums, and city centres will all need to innovate quickly to create a sense of place for the future.”
What matters
However, when it comes to what really matters, Shep says that accessibility is vital.
“The experience industry needs to improve accessibility across the board. It should be considered from the start, including neurodiversity, disability, and gender inclusion, involving experts in the process. We must push for more in our industry.
“I also feel passionately that entertainment and art shouldn’t be exclusive to those who can afford it; culture should be a passport for all, free of economic barriers.”
The industry isn’t always discussing accessibility and affordability enough, he adds. “It’s easy to get caught up in exciting, elaborate, and costly concepts, but they are becoming less accessible to a mainstream audience.
“We are the industry of escapism; it should be democratically available to everyone. While some pioneers lead the way in inclusive design, I believe that, as an industry, we are drifting away from that ideal.
“It’s something I want to bring into the conversation at the earliest stage of every project I’m involved in.”
Fuzzy Lightbulb
Building on his extensive experience, alongside long-term friend and collaborator Chris Barlow, Shep launched Fuzzy Lightbulb this year, a full-service character development powerhouse.
Their mission unites a passion for storytelling and craftsmanship to bring characters to life, creating moments of magic and joy.
Having worked on many projects together, the pair saw a gap in the market: for a specialised agency focused solely on character-driven experiences.
“We felt there was space for a company that helps brands fully leverage their creative property, because characters aren’t just costumes or puppets. They’re storytellers, brand ambassadors, and the heart of unforgettable guest experiences.”
Whether it’s mascots, animatronic puppets, theatrical creatures, immersive character worlds, themed play zones, or merchandise, Fuzzy Lightbulb aims to create lasting character impact by examining the entire guest journey, integrating character touchpoints at every stage of the experience.
“We’re not just mascot makers; we’re a full character development studio. If you’re looking for bold, immersive character experiences, without agencies, middlemen, or unnecessary markups, then this is the right place. We offer a faster, more cost-effective process where your vision stays at the heart of everything we deliver.”
It’s a genuine collaboration involving real characters, diverse visualisation and fabrication skills, hands-on experience in leading creative teams, and extensive industry knowledge.
“In one respect, we’re just putting a label on a partnership that we’ve been enjoying for a long time,” says Shep. “Chris is a multi-hyphenate, a polymath and master of his craft – he is one of the most singularly talented individuals I’ve worked with when it comes to tangible creativity.
“Most of my favourite projects have been when we’ve worked together.”
A creative partnership rooted in experience
Barlow trained as a performer and transitioned into acting, design, puppet making, and puppeteering, eventually working in TV, film, and theatre. “I’ve built this eclectic mix of skills and experiences that shape how I design and create now,” he says.
“When we first started working together years ago, it was a brilliant meeting of minds. There was this natural creative synergy. We just had a shorthand with each other. We could riff on ideas easily, but Shep also brings a sharp sense of what excites people. He knows what engages audiences, and that’s incredibly inspiring.”
“Working with Shep has always felt energising. His insight and knowledge from the wider industry have consistently helped take our ideas further, make them stronger, and ground them in something real.”
Co-founders and longtime collaborators, Shep & Chris Barlow
Their shared performance background is a tremendous asset, he adds:
“We understand the practical side—wearing mascot suits, operating puppets, and caring for them. This performer’s perspective guides Fuzzy’s designs. I ask, ‘How do we improve this for the performer? Make it easier, more expressive, maintainable?’”
These practicalities often get overlooked when focusing only on appearance. Having performed inside, beside, and underneath every type of character, the pair understand key considerations for creating characters for live performance.
“Shep’s background enables him to see the bigger picture: what clients need, what works in all areas of experience and beyond that, like retail and interactivity, or how operational realities can influence things, and, most importantly, what creates a powerful and memorable guest and audience experience.”
It’s a creative partnership with complementary strengths and shared values, rooted in performance but stretching across design, operations, and storytelling.
Using the difficulty
Speaking about some of the challenges that the new studio sets out to solve, Barlow says:
“When it comes to creating character experiences, there are so many arms and branches to the process. There’s the creation of the character itself, and then there’s the question of how to make that character live and thrive in the real world.
“Often, these kinds of creations get tied into other parts of a company’s structure, whether it’s rebranding or launching a new product, and in that context, the character can sometimes get lost between departments.”
Corporate pressure can sometimes affect character development, such as branding needs and commercial goals: “That can get in the way of what a character truly should be: something that almost lives and breathes, something people can engage with emotionally, physically, through artwork, animation, or live performance.”
Some of the Beach House Crew, Sint Maarten
From a development perspective, that could be a challenge:
“You’re creating something families and kids will love and return to, while balancing internal restrictions and competing voices. It’s a skill, and we’re committed to ensuring a character has a clear mission and core purpose without becoming weighed down by too many considerations.”
Another challenge is maintaining a character’s cohesion and consistency while ensuring it remains fresh and relevant.
“These are exactly the kinds of challenges our new venture is designed to solve. With every character, we’re considering its platform, its purpose, and ensuring it is fit for now and the future.”
The audience is key
It is vital, adds Shep, to constantly reverse engineer from one key question: who is the intended audience?
“It’s about threading that line through the entire process, ensuring that everyone involved stays connected, and that the result is a cohesive audience experience of that character.
“For us, every character development campaign boils down to three core questions: How can the audience enter the world of the character? How can the character enter the audience’s world? And how can the audience experience adventure through the character’s eyes?”
How those questions are answered varies by project. “And it’s becoming increasingly exciting with the advancement of technologies and the cultural shift toward more off-stage, interactive, and immersive experiences.”
With their backgrounds, Barlow and Shep understand what it takes to make a character proposition thrive.
“It requires deep integration across departments and stakeholders,” says Shep. “Our process breaks character development down into clear stages designed to ensure the final proposition is entirely bespoke. It’s never a copy-and-paste solution.”
Practical considerations
Alongside reverse-engineering story-driven moments, the duo considers all the practical aspects, such as identifying the best medium or platform for each experience.
“It’s not always about rolling out an eight-foot, full-body mascot,” says Shep. “Sometimes, it’s about finding creativity within the constraints. That could mean working around space limitations, tight budgets, or operational logistics. But for us, those ‘limitations’ are opportunities to find clever, tailored solutions that are genuinely fit for purpose.”
Work for Legoland Windsor
A single character can adapt across platforms and demographics. The same core character may exist in various forms—interactive, wearable, digital—while remaining authentic and cohesive. It’s crucial for the character to resonate emotionally and function practically within the guest journey.
“Chris and I are both passionate about more intimate formats,” he adds. “Things like walkabout and step-in puppet performances and moments, those opportunities where the character feels close, alive, and real to the guest. It’s in those little moments that real emotional connection happens.”
Finding the right format
Expanding on this, Barlow says:
“If you have a rabbit character designed for three-year-olds, how effective is it to have that character portrayed by someone in a nine-foot-tall foam suit? The character is supposed to be the same age as the kids, but instead, it’s this huge, bulky figure that can’t move or dance freely. Does that give the kids an authentic interaction with the character they love?”
This has led him to become a fan of puppet interactions: “Puppets can be created at precisely the right proportions and scale, without being limited by the constraints of fitting a person inside an oversized suit.
“There’s also so much opportunity with technologies like projection and video mapping, but I believe there’s something magical about live theatre and the feeling of having a real, in-person experience.”
For young audiences (and those still young at heart), meeting a character face-to-face, being able to touch and see them in the same space, is irreplaceable.
“Leaders in this industry understand that, and it’s something we’re passionate about pushing further. Puppets free performers from being trapped in suits, and they can appear in the smallest, most intimate settings. A puppet can pop up at a dinner table or behind a reception desk without the logistics of a bulky costume.”
Creating magic doesn’t have to mean big budgets, he adds. “With good performance and thoughtful, well-designed characters, you can create moments that families of all ages will remember forever.”
Breathing life into characters
The pair don’t see Fuzzy Lightbulb limiting itself to specific sectors.
“We’re currently very excited about an opportunity with a cruise line, helping them weigh up the pros and cons of using a licensed IP versus developing an original character proposition,” says Shep. “We’re also developing a handheld walkabout concept for a leading theme park using a very well-known global IP.”
Dragon concept for Yeo Theatre
Fuzzy Lightbulb is also working on a legacy character rejuvenation project for a theme park in Europe. “It’s about breathing new life into a character that’s already got some brand equity but needs a fresh take. There’s multi-generational legacy and emotional investment; it’s a cool responsibility.”
The team has also just wrapped a TV and advertising campaign where they adapted the logo of a very well-known product into a living, breathing, engaging puppet character.
“It’s been great turning a brand mark into something that audiences can emotionally connect with,” says Barlow.
“We’ve also got a few theatrical concepts in development, which we’re excited about,” says Shep. “And the recent project Chris has filmed, Play Time.” This sees a group of comedians enter a local primary school, where they are challenged to create and perform an original stage play based entirely on the ideas of a group of 6-to-8-year-old schoolchildren.
“The filming day was the most touching, bonkers, unexpected day, and absolutely hilarious and wonderful to do,” says Barlow.
Shep adds: “Chris was the perfect fit for the project, and it’s exactly the kind of purpose-driven work we want to be doing. It’s thoughtful and creative, and it has real value.” Play Time premieres on ITVX and YouTube later this November.
In terms of opportunities, they’re not trying to do everything with everyone. Shep explains, “We want to continue building a portfolio of work that we’re very proud of and synonymous with and have lots of fun while we’re doing it.
“The quality of our working relationships is as important to us as the work itself – and we’ll hold true to that.”
getting notes from…
Having worked in broadcasting and being no stranger to the stage, it makes sense that Shep would step into the podcast arena.
In each episode, he’ll be speaking to ‘movers and makers’ from across the creative arts and entertainment world, exploring their stories and journeys, examining their creative processes, and discussing how their relationship with their work has evolved.
“What I love most about my work is the collaboration and the talented people I get to co-create with. Every day is a school day, and I’m always learning and taking useful notes from the conversations and people around me, and that got me thinking that maybe some of those conversations could be of interest to others, too.
“And so, getting notes from… the podcast was born.”
getting notes from…will also highlight contemporary issues and explore themes affecting the creative industries today. It will encourage audience engagement, building a community of like-minded listeners eager to learn how to survive and thrive in today’s creative industries.
“This isn’t about banter or self-help—I’m not another pop-up life guru. It’s about sharing stories and learning from others. We wanted a space for genuine conversations offering insight, information, and inspiration.
getting notes from…is available on all of your preferred podcast platforms
“The hope is you can take useful nuggets to help on your creative journey.”
Authentic conversations
Season one opens with West End star Chanel Haynes, who played Tina in the hit show and has more recently been singing toe to toe with Mick Jagger on tour with the Rolling Stones.
Other guests joining Shep include Rolling Stone Magazine VP and music documentarian, Jason Fine, Hollywood actor, Dominic Burgess, internationally acclaimed sculptor, Sophie Ryder, actor Amy Cudden, Matt Cheshire and Natasha Christian from Interior Design & Architecture firm CMI, Ben Wild of BWS Studios, and more.
Chanel Haynes with Mick Jagger, on tour with the Rolling Stones
And of course, Shep wouldn’t let Chris off the hook.
“Chris has worked across movies, West End theatre, kids TV, and adverts. He’s a skilled professional with a strong reputation, and (like any creative) he’s faced industry challenges too. He was the first guest I booked!”
The episodes feel authentic, says Shep.
“The conversations feel real and relatable, and I think it speaks to people already in the industry, as well as those curious to learn more about it. It’s about capturing the day-to-day journey: the changes and challenges, and the contemporary issues that shape what is an ever-evolving space.”
“We’ve got an eclectic mix of guests. They’re all people with depth, who’ve been consistently applying and refining their craft over time.
“There will be plenty of transferable lessons in there, along with, hopefully, a good dose of fun too.”
getting notes from…will be available on all podcast platforms.
The little big things
Chatting with Shep, a common thread emerges: a deep commitment to creating meaningful, audience-focused experiences through character design, live performance, and collaboration. Each venture shares a vision for story-driven engagement from the audience’s perspective.
With Shepland Creative, it’s about bringing stories to life through live entertainment, immersive happenings, hospitality moments, and engaging brand activations. For Fuzzy Lightbulb, it’s similar, but through character-driven experiences, using deeply relatable characters as powerful storytelling vehicles.
And with getting notes from…it’s the same foundation — drawing out interesting, meaningful stories from people in a way that’s enjoyable and engaging for the listener.
“My typical workweeks are quite varied, involving collaboration with many different disciplines and artists… It’s always stimulating, that’s for sure!
“Musicians, animators, architects, writers, actors, designers, sculptors, comedians… all creating story-driven work in one way or another, so it’s often about translating themes and narratives into different media, which I love.
Shep, a master juggler!
“More than any specific element, I’ve always been most inspired by collaboration. It’s in the sparks between people, the ideas that develop between disciplines. That’s where I find the most creativity, the inspiration and energy. It’s during that creative development where the magic really happens.
“This is why I’m so passionate about protecting the creative process. Great art and entertainment aren’t about giving an audience what they ask for. It’s about providing what they need – and sometimes they don’t realise what that is until they see it, feel it – it moves or excites them.
“That feeling is the best gift we can offer, and you can only achieve this when you respect the process and lead with creativity.
“All of my work is ultimately about crafting lasting moments that connect us.”
PRESS RELEASE
Published November 3, 2025
The Global Games Show 2026 Riyadh edition is poised to become the ultimate destination for gaming enthusiasts, developers, and investors alike. Organized by VAP Group and powered by the Times of Games, the event promises a vibrant lineup of discussions, and engaging experiences that symbolize the rapidly changing gaming sphere.
Participants can explore the latest in game development, esports, and interactive entertainment, with live demonstrations, workshops, and panels led by industry leaders. From indie developers to global publishers, companies will present their most innovative games and technologies, providing attendees with insights into the future of gaming.
In past editions, the Global Games Show (GGS) has brought together leading figures from across gaming, esports, and the Web3 ecosystem. Esteemed speakers have included Johnson Yeh, Founder and CEO of ROEHL/Ambrus Studio; Yat Siu, Co-Founder and Chairman of Animoca Brands; Dirk Lueth, Ph.D., Co-Founder and Co-CEO of Uplandme, Inc.; and Paul Dawalibi, CEO of Holodeck Ventures. Industry innovators such as Ilman Shazhaev, Founder of Farcana, and Klaus Kajetski, Founder and CEO of YaLLa Esports, have also shared their insights, alongside Jonathan Bouzanquet, Chief Strategy Officer and Founder of PLAYA3ULL Games, and Assad Dar, Co-Founder and Chief Visionary Officer of Medieval Empires.
The show also emphasizes community and collaboration. Dedicated networking areas and matchmaking sessions enable connections between creators, investors, and publishers, fostering partnerships that can drive the industry forward. For startups, the event offers a platform to showcase their innovations and attract investment.
Educational and strategic sessions focus on trends such as immersive gaming, cloud gaming, and monetization strategies. These discussions equip participants with knowledge to navigate challenges, leverage opportunities, and scale their ventures effectively.
Day 1 is all about the future of gaming technology, with talk on Saudi Arabia becoming a world esports capital, the next phase of gaming engines with Unreal Engine 6, brain–computer interfaces, and AI-generated game design. Experts will also discuss what the future of esports will look like in the Kingdom and how it is increasingly driving Vision 2030’s creative economy.
Day 2, entitled “Gameconomics,” explores the gaming business—ranging from crowdfunded games to mobile gaming opportunity, player-coined communities, and developer–investor partnerships that form industry expansion.
By bringing a diverse mix of professionals under one roof, the Global Games Show strengthens Riyadh’s position as a hub for interactive technology and digital entertainment. Attendees also get access to other parallel flagship events, the Global AI Show and the Global Blockchain Show with just one ticket. GGS is a convergence of ideas, creativity, and opportunity in the gaming world.
Media enquiries :
Press contact : Media@globalblockchainshow.com
The post Global Games Show Riyadh 2026 : Fueling Saudi Arabia’s Vision 2030 first appeared on Mediamark Digital.
“Winning Platform Provider of the Year reflects the very essence of what OpenBet stands for,” said Don Jaques, SVP Americas, OpenBet.
“Our platform is trusted to power the world’s biggest betting brands because it delivers scale, stability, and innovation without compromise. This recognition is testament to the expertise of our global team and reinforces our mission to set the gold standard for trusted, world-class betting experiences.”
OpenBet provides a comprehensive and adaptable suite of betting and gaming technology, content, and services, trusted by more than 200 brands globally. The OpenBet platform delivers industry-leading performance, achieving 100% uptime during Super Bowl LIX and executing hundreds of millions of geo-checks annually.
Further recent enhancements to the OpenBet platform include nVenue’s distribution of live micro-markets to U.S. operators via the OpenBet Trading System and the continued evolution of OpenBet’s Protect product suite: OpenBet Locator™, live across 22 U.S. states, and Neccton. the market’s leading AI-enhanced responsible gaming and compliance platform, enabling advanced behavioral monitoring, fraud prevention, and real-time regulatory compliance.
“OpenBet’s platform and regulatory technology drives some of the largest betting and gaming operations in the Americas and around the world,” said Charles Gillespie, Chief Executive Office and co-founder of Gambling.com Group.
“Its reliable, compliant, innovative and high-performing technology truly scales while enabling operators to deliver seamless, safer, high-volume experiences to millions of players. This award reflects OpenBet’s industry leadership, innovation, and the significant impact of its platform across the betting and gaming market.”
With nearly 30 years of experience, OpenBet continues to enhance the operator and player experience through scalable technology, AI-driven responsible gaming tools, and resilient solutions that can handle high-volume events with ease. OpenBet’s performance, flexibility, and innovation reinforce its position as the premier sports betting platform provider in the Americas and beyond.
OpenBet
OpenBet is a world leader in betting and gaming entertainment. With over 25 years’ experience and a passion for innovation, OpenBet’s modular range of technology, content and services is entrusted by the globe’s biggest sports betting brands, lotteries, casinos and tribal operators. It is a leading business-to-business sports betting partner in the U.S., U.K., Australia and Canada, with a strong position in Europe and APAC. To date, OpenBet has over 200 global customers and a 100% uptime record across major sporting events.
The company has earned industry recognition through multiple award wins recently, including ‘Safer Gambling Supplier’ at EGR Europe Awards 2025, ‘Sports Betting Supplier’ at EGR North America Awards 2024, ‘Multi-Channel Supplier’ at the EGR B2B Awards 2024, and ‘Sportsbook Platform Supplier’ at the SBC North America Awards 2024.
Gambling.com Group
Gambling.com Group is a fast-growing provider of marketing and sports data services for the global online gambling industry. Founded in 2006, the Group operates globally, primarily from offices in the United States and Ireland.
The Group helps online gambling operators, including for iGaming and sports betting, acquire new customers in 19 national markets across more than ten languages through a portfolio of premier branded websites including Gambling.com, Bookies.com, and Casinos.com. Under OddsJam, OpticOdds and RotoWire brands, the Group’s sports data services assist consumers and power enterprises to succeed in sports betting and fantasy sports.
Source: GMB
OnePlus today launched the OnePlus Gaming Technology, a “comprehensive solution to the core challenges of mobile gaming.” Gaming has become a massive industry, not only for PC and console but also for mobile. From my experience, you either love mobile gaming or hate it. OnePlus Gaming Technology aims to make the mobile gaming experience a better one. Here’s what the press release had to say.
Estimated reading time: 6 minutes
OnePlus Gaming Technology
By combining deep chip-level optimizations with powerful hardware and intelligent software tools, it pushes the boundaries of Android gaming experiences to new heights and establishes a new benchmark for performance, taking the OnePlus signature fast & smooth experience to the next level while enabling exceptional stability, responsiveness, and control.
OP Gaming Core: Intelligence at the Chip Level
The self-developed OP Gaming Core represents an industry-first chip-level technology specifically engineered for gaming scenarios. Developed with over 20,000 lines of original code operating at the foundational level of Android and supported by 254 patents focusing on game optimization, this technology reconstructs gaming performance delivery from the chip level upward.
Central to this innovation is the OnePlus CPU Scheduler, which conducts systematic analysis of gaming workloads to identify and optimize hundreds of potential load points that impede critical task execution. This approach achieves up to a 22.74% reduction in CPU instructions for key tasks, substantially decreasing both CPU load and power consumption during gameplay.
Utilizing a self-developed chip energy consumption model specifically designed for gaming patterns, the CPU Scheduler replaces the traditional Completely Fair Scheduler (CFS) with intelligent computing resource allocation. This effectively eliminates scheduling delays and resource conflicts in gaming scenarios while guaranteeing consistent computing power for critical gaming tasks.
Enabled by this architectural breakthrough, devices featuring the OP Gaming Core will deliver industry-leading per-frame power consumption control while maintaining a consistently stable 120 fps experience in popular games with minimal frame rate fluctuations, significantly improving both power efficiency and thermal management for sustained, superior gaming performance.
Working in synergy with the CPU Scheduler is the next-generation HyperRendering technology, representing OnePlus’ latest evolution in high frame rate. This is a high-fidelity rendering solution built upon years of technical advancement.
Next-Gen HyperRendering reconstructs the GPU rendering pipeline at the chip’s fundamental level, achieving an 80% improvement in per-frame rendering efficiency through optimized Vulkan driver-layer instruction logic.
Enabled by algorithmic advancements, the OP Gaming Core with Next-Gen HyperRendering maximizes utilization of the GPU module within the flagship SoC, integrating both native rendering and frame interpolation processes directly through the main chipset. This architectural approach eliminates the latency traditionally associated with dedicated interpolation chips, delivering a generational leap in user experience.
The synergy of these technologies enables true concurrent high-frame-rate and high-visual-fidelity gameplay. Even in demanding open-world scenarios, the system maintains near-native visual quality while providing near-zero additional latency from frame interpolation.
The optimized rendering delivers pristine, tear-free visuals with significantly improved power efficiency, ensuring sustained frame rate stability and visual performance during extended sessions. Crucially, the high frame rate experience enabled by Next-Gen HyperRendering can be authentically captured and shared through screen recording.
OP Performance Tri-Chip, the Trinity of Hardware Dominance
OnePlus also introduces the OnePlus Performance Tri-Chip—a comprehensive full-link, chip-level hardware solution comprising three physical chips: the Performance Chip, Touch Response Chip, and Wi-Fi Chip G2. Through their coordinated operation, this system breaks through previous performance limitations at the hardware level, delivering an all-around enhancement to the device’s gaming.
The Performance Chip, built on the new Snapdragon® 8 Elite Gen 5 platform, integrates the all-new OP Gaming Core out of the box. This ensures renewed peak performance and delivers stable, exclusively tuned power dedicated to gaming scenarios.
Working in coordination, the dedicated Touch Response Chip accelerates all touch processing offloaded from the main SoC. On the hardware side, it supports a 330Hz touch sampling rate along with an ultra-high 3200Hz instantaneous sampling rate. It also incorporates the new Next-Gen HyperTouch engine, creating a hardware-software integrated solution that elevates every aspect of the touch experience, making it faster, more accurate, and more reliable.
The new Wi-Fi Chip G2, equipped with advanced RF modules and enhanced algorithms including SmartLink, genuinely improves network connectivity in weak signal environments. It optimizes connection stability and reduces stutter in challenging network conditions, intelligently identifying and prioritizing gaming traffic to ensure smooth gameplay.
OP FPS Max: The High-Frame-Rate Ecosystem
After three years of dedicated development, OnePlus introduces OP FPS Max – a complete high-frame-rate gaming solution designed for the future. This innovation reflects OnePlus’ vision that mobile gaming’s future lies in fluid, high frame rate experiences, perfectly aligning with our Fast & Smooth product philosophy. While 120 fps has become the industry standard, we’re taking it one step further.
OP FPS Max represents a holistic approach that brings together hardware excellence, software optimization, and ecosystem collaboration. The system features a customized 165Hz display that delivers true native 165fps support, while our OP Gaming Core provides chip-level optimization to ensure consistently smooth performance. Enhanced touch response algorithms and connectivity improvements further elevate the experience, establishing a new benchmark for high-frame-rate gaming.
The technology already enables seamless 165fps gameplay across multiple popular titles, with OnePlus committed to expanding both game support and industry partnerships to make 165fps gaming more accessible to players worldwide.
Conclusion
The gaming technologies mentioned above will be available on the upcoming OnePlus 15 Series. By embedding these advanced features directly into its new flagship devices, OnePlus is keeping a promise and setting a new industry benchmark.
In some of our articles and especially in our reviews, you will find Amazon or other affiliate links. As Amazon Associates, we earn from qualifying purchases. Any other purchases you make through these links often result in a small amount being earned for the site and/or our writers. Techaeris often covers brand press releases. Doing this does not constitute an endorsement of any product or service by Techaeris. We provide the press release information for our audience to be informed and make their own decision on a purchase or not. Only our reviews are an endorsement or lack thereof. For more information, you can read our full disclaimer.
Technology
OnePlus Debuts its New Gaming Technology at the OnePlus Over Power Event: OP Gaming Core, OP FPS Max, and OP Performance Tri-Chip
The OnePlus 15 flagship smartphone has already been introduced in China and its launch in the global and Indian markets are scheduled to take place on the 13th of November 2025. At its OnePlus Over Power event which was held recently in Singapore, OnePlus has officially debuted its new gaming technology, and it is revealed to be brought out first on the brand’s OnePlus 15 flagship.
Here’s more about it.
OnePlus Gaming Technology Featuring OP Gaming Core, OP FPS Max, and OP Tri-Chip Unveiled
As mentioned, the new OnePlus Gaming Technology consists of three main highlights and these include the OP Gaming Core for improved gaming speed and reduced lag (at the chip-level), OP FPS Max for up to 165Hz high refresh rate gaming, and OP Tri-Chip for improved performance, touch, and WiFi.
The new OP Gaming Core technology has been introduced as the industry’s first gaming-centered core tech, and it is claimed to offer an industry-leading gaming experience. Gaming-ready OP CPU scheduler, re-engineered next-gen hyper-rendering, 29.8% improved scheduler efficiency, 15.6% reduced core workload, 11.7% optimized overall power consumption, industry-leading 120FPS native-level, and 80% GPU per-frame rendering efficiency are few of its key features.
The OP FPS Max self-developed hybrid 165FPS solution is added, along with the industry-first 165Hz + 1.5K display experience. With 45 more frames per second, it is now 27% faster. Industry-first 165Hz gameplay on Call of Duty: Mobile is also a notable aspect, and it is the official partner for the Call of Duty: Mobile World Championship 2025 Finals.
The trinity hardware dominance has been achieved, and a combination of the embedded OP Gaming Core (powered by Qualcomm Elite Gaming), WiFi Chip G2, and Touch Response Chip is offered for improved gaming performance. With the console-grade gyroscope, up to 200Hz in-game gyroscope sampling rate, 60% zero-drift error reduction, and 77% improved targeting accuracy are assured too.
Speaking more, the next-gen HyperTouch Engine, 254 patents, industry-best per-frame power management, and 25641 code optimizations are again other key features.
As mentioned, this new OnePlus Gaming Technology will be first arriving on the OnePlus 15 flagship smartphone, and users will be able to experience the new enhanced gaming experience on it. Stay tuned for more updates.
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