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Sliding mitts are baseball’s ‘must-have,’ even if at youth levels, they’re all fashion, no function | National

PITTSBURGH (AP) — Andrew McCutchen hasn’t had the conversation with 7-year-old son Steel yet, but the Pittsburgh Pirates star knows it’s probably coming at some point. Steel, already playing in a youth baseball league, will probably come home at one point and ask his five-time All-Star father if he can have whatever hot item his […]

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PITTSBURGH (AP) — Andrew McCutchen hasn’t had the conversation with 7-year-old son Steel yet, but the Pittsburgh Pirates star knows it’s probably coming at some point.

Steel, already playing in a youth baseball league, will probably come home at one point and ask his five-time All-Star father if he can have whatever hot item his teammates might be wearing during a given spring.

McCutchen plans to accommodate Steel up to a point. The oldest of McCutchen’s four children is already rocking an arm sleeve, just the way dad does.

Yet if Steel is hoping his father will spring for a sliding mitt — a padded glove a player can slip over one of their hands to protect it should the hand get stepped on while diving headfirst for a base — he probably shouldn’t get his hopes up.

McCutchen, who has stolen 220 bases at the major league level, has never worn one. And he’s quick to point out the next time the cleat of a fielder mashes his hand will also be the first.

Still, the 38-year-old understands. Once upon a time, he was a 20-something who epitomized baseball cool, from his dreadlocks (long since shorn) to his goatee to his rope chain to the occasional skull cap he wore underneath his batting helmet, all of it designed to accentuate McCutchen’s innate blend of talent and charisma.

“It’s all about the drip,” McCutchen said with a smile.

Even if the “drip” (Gen Z slang for stylish clothes and their accessories) emphasizes fashion over function, particularly when it comes to the gloves — which look a bit like oven mitts — that are becoming just as ubiquitous in the Little Leagues as they are in the major leagues.

Safety and self-expression

Former major leaguer Scott Podsednik (career stolen base total: 309) is credited with “inventing” the sliding mitt during the late stages of his 11-year career.

Tired of having his hand stepped on, Podsednik worked with a hand therapist for a solution. The initial mitts were relatively simple. A 2009 picture of Podsednik sliding into second base shows his left hand covered in what looks like a padded modified batting glove, all wrapped in black to match the trim on his Chicago White Sox uniform.

Things have gotten considerably more intricate over the years. Google “sliding mitt designs” and you’ll find themes ranging from the American flag to an ice cream cone to aliens to a poop emoji ( yes, really ).

Scott McMillen, a lawyer in the Chicago area, had no plans to get into the baseball accessory business. He first took notice of sliding mitts when his son Braydon, then 10, pointed out one of his teammates had one and said basically, “Oh hey dad, wouldn’t it be nice if I had one, too.”

They headed to a local sporting goods store, where McMillen was surprised at the variety available.

That was around 2021. By early 2024, McMillen had launched “ Goat’d,” a specialty baseball accessory company with everything from sliding mitts to batting gloves to arm sleeves to headbands and more, many of them religiously inspired.

Sales during their first full year? Over 1 million units.

“We were surprised at how large the marketplace is,” McMillen said.

Maybe he shouldn’t have been.

Youth sports have bounced back from the COVID-19 pandemic. The Aspen Institute’s 2024 State of Play report noted that the participation levels in sports among children ages 6-17 were the highest they’ve been since 2015. Baseball’s numbers have steadied following a decline. Little League International told The Associated Press last fall that more than 2 million kids played baseball or softball under its umbrella across the world, an uptick over 2019.

Many of those kids are also fans of the game, some of whom may have noticed their favorite major leaguer sporting a mitt when they’re on the bases. Yes, that was San Diego Padres star Fernando Tatis Jr. sliding across home plate ( feetfirst, by the way ) with a bright yellow mitt on his left hand in the ninth inning of a 2-1 win over Pittsburgh last weekend.

It’s one of the many ways in which the game has evolved over the years. When McMillen grew up, there wasn’t much swag to go around.

“We had our baseball uniform and our glove (and) everyone looked the same, everyone was the same,” he said. “Now, everyone wants to express themselves individually. The best way to do that without acting like a clown is to wear something that shows people who you are.”

Self-expression, however, doesn’t exactly come cheap, particularly in an era when top-of-the-line bats are $400 or more. What amounts to an entry-level sliding mitt can go for $40, but Goat’d and others have versions that can fetch double that.

That hasn’t stopped sales from being brisk, and McMillen points out it’s not merely a luxury item.

“We don’t play football with 1940s safety equipment,” he said. “You feel better in the (batter’s) box when you have something that protects you, right? With a sliding mitt, it’s also like, ‘Hey this is fun. It’s cool. I want to be like my fave high school player, like my favorite college player.’”

It’s becoming increasingly common for McMillen and other members of the company’s staff to spot Goat’d gear at the field. In recent months, they’ve popped up in youth tournaments from Georgia to Las Vegas, sometimes in the back pockets of players as young as 6 or 7. McMillen can’t help but shake his head to see his product become part of the time-honored tradition of kids imitating their heroes.

Which is good for business and, oh by the way, probably unnecessary.

The pressure to keep up

Here’s the thing: In most — if not all — youth baseball leagues, headfirst slides that would require a player to stretch out their hand to secure the bag are illegal.

In Little League, for example, stealing bases for players 12 and under is rare because the player can take off only after the ball has reached the batter. And even if they do bolt for the next base, they have to slide feetfirst. The only times in Little League that a baserunner can dive headfirst toward a base is when they are returning to it while in a rundown or during a pickoff attempt, both of which are also rare.

That doesn’t stop the players from wanting a sliding mitt. It also doesn’t stop their parents from buying them, all part of the pressure to “keep up with the Jones” that has practically been a part of youth sports culture since the first time somebody came to practice with a batting glove or wristbands.

It’s a phenomenon Chelsea Cahill and her family has known for years. The longtime educator who lives just east of Columbus, Ohio, has spent most of the last decade shuttling her three boys from practice to games to tournaments.

What she and her husband have learned over the years is that some trends come and go, but the pressure to have the right stuff remains.

“There’s always that feeling of ‘This is the next new thing’ or ‘This is what you’ve got to get,’” Cahill said.

They appeased their sons up to a point, but only up to a point.

Last summer their youngest son Braxton, then 11, and the rest of the kids on his travel team kept pestering their parents to buy sliding mitts. Entering the final tournament, the team moms decided to give in.

Sort of.

Rather than plop down that kind of money for something they didn’t actually need, the moms headed to a local dollar store and bought them actual oven mitts — the kind used to pull tonight’s dinner from out of the oven. Average retail price? Less than a cup of coffee at the gas station.

Oh, and the kids loved them, and wore them during the game. Cahill posted video of them playing with the mitts stuck in their back pocket to her TikTok account. The video is now at 12 million views and counting.

“They thought it was hilarious, but we didn’t really think they would wear them for the rest of the tournament,” Cahill said. “We were wrong. They really embraced it!”

Among viewers of that TikTok, by the way, were the people at Goat’d, who sent Braxton a couple of mitts as a result.

The good news is, Cahill now won’t have to buy one for Braxton this spring. Yet there’s also something else she has learned through the years: This time in her boys’ lives is fleeting.

For proof, just look at her calendar. Her two older sons — the ones who played travel baseball just like Braxton, and asked for all the cool stuff their teammates had, just like Braxton has — gave up baseball by the time they got to high school.

Her advice to parents who might be feeling the financial pinch of what it takes to play these days: Relax.

“We’ve learned as parents is to stop taking it so seriously,” she said. “They’re kids. Let them have fun.”

The reality

A day after hundreds of members of the Monroeville Baseball and Softball Association marched through the Pittsburgh suburb’s well-appointed community park, the regular season is in full swing.

All four fields are alive with the chatter of coaches, parents and boys and girls aged anywhere from 5-12.

Over on Field 1, the Rays are in the middle of their season opener. Playing first base, Josiah Jones has his glove at the ready, with a black sliding mitt noticeably sticking out of his left back pocket.

Per the league rules, the Rays and the other players at the “Bronco” level (ages 11-12), play actual full-on baseball. They can take leads and steal bases whenever they like, though headfirst slides are only allowed when returning to a base, just like in Little League.

Longtime MBSA executive commissioner Josh Plassmeyer is milling about, trying to keep tabs on everything. Plassmeyer outlawed sliding mitts on his son Grant’s 10-and-under tournament team, calling them a “distraction” because players would spend so much time fiddling with them once they got to first base, they would miss signs from the third-base coach.

About 50 feet away, Jones settles into the box and rips a ball to left-center field. His long legs carry him past first base, and he cruises into second with an easy double.

As his teammates erupted in the dugout, Jones beamed for a brief moment. Then, as the opposing pitcher stepped onto the rubber, he took an aggressive lead off second and eyed third.

His back pocket, the one where his sliding mitt had been 30 minutes before, was empty.


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Tennessee Titans host youth football camp

NASHVILLE, Tenn. (WKRN) — The Tennessee Titans’ rookie class spent Friday at a youth football camp teaching kids football fundamentals. The camp, held at Christ Presbyterian Academy, signed autographs and took pictures with more than 100 kids Friday. Advertisement 🏈 TITAN UP all season long with the latest news and notes on the Tennessee Titans […]

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NASHVILLE, Tenn. (WKRN) — The Tennessee Titans’ rookie class spent Friday at a youth football camp teaching kids football fundamentals.

The camp, held at Christ Presbyterian Academy, signed autographs and took pictures with more than 100 kids Friday.

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“When I was young — it didn’t matter if you were an undrafted pick or first-round pick or even anything,” safety Kevin Winston Jr. said. “You looked like a superhero to me because you were playing the sport I loved at a high level. It’s good to be able to do that for them and show them I’m just like them.”

Wide receiver Chimere Dike did not have a similar camp growing up. He told News 2 that it was eye-opening when one camper asked for his autograph.

“It’s pretty cool — just being in that position when you’re younger and now you’re in a position where people are asking you,” Dike said. “I think it’s awesome, but it’s also humbling. It comes with the responsibility of having to uphold that standard that they’re looking at.”

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But no player received more attention than quarterback Cam Ward, who threw touchdown passes to several different kids.

While attendees are learning the basics of football, they still have high expectations for Ward and the Titans.

Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

For the latest news, weather, sports, and streaming video, head to WKRN News 2.



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Event included a special award and pre-game talk by MLB scout –

Major League scout Taylor Cameron from the Texas Rangers talks to players before the 57th annual Orange County All-Star Baseball Game Wednesday at the Great Park. (PHOTOS: Tim Burt and Jacob Ramos, OC Sports Zone) Organizers of the 57th annual Orange County All-Star Baseball Game at the Great Park wanted the event to be more […]

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Major League scout Taylor Cameron from the Texas Rangers talks to players before the 57th annual Orange County All-Star Baseball Game Wednesday at the Great Park. (PHOTOS: Tim Burt and Jacob Ramos, OC Sports Zone)

Organizers of the 57th annual Orange County All-Star Baseball Game at the Great Park wanted the event to be more than just a game.

Officials with the Ryan Lemmon Foundation, including chairman Guy Lemmon and foundation members Dick Owens (the game director) and Rex Lyon, looks like they accomplished that.

Officials were pleased with the improved attendance figures at the game, estimated at 600. This was the second year that the Ryan Lemmon Foundation ran the game.

The South won its third game in a row over the North, 3-1.

Players took part in pre-game drills which were open to the public, Major League scout Taylor Cameron addressed players before the game, a special award was given to Owens and there was a special appearance by Omaha the Bat Dog who picked up bats during the game and returned them to the dugout.

In addition, members of two youth baseball teams appeared on field for pre-game activities and Irvine city officials attended the game and were on the field for pre-game ceremonies.

A practice at Irvine Valley College started the week.

To see the slide show, click on the first photo:

Mr. Baseball Award

Dick Owens, who has also been the tournament director for the Ryan Lemmon Invitational spring tournament since the start, was honored before the game and presented the Mr. Baseball Award. He also threw out the opening pitch.

Don Wagner, chairman of the Orange County supervisors, praised Owen’s years of volunteer work in helping to build baseball in Irvine and Orange County and presented him with a proclamation. Irvine City Irvine Vice Mayor James Mai also praised Owens’ achievements.

“Dick Owens has been a selfless volunteer in the Irvine sports community for over 35 years,” it was noted in the game program. “His contributions have helped teach countless young men and women the values of teamwork, self-reliance and leadership.”

Owens has helped more than 50 schools in Orange County. He’s also been an active member of the Irvine Sports Committee and was instrumental in the development of the Irvine Great Park Sports Complex.

Owens has lived in Irvine since 1984. His wife Rachel was in attendance along with his son Ben Owens, baseball coach at Northwood High School.

“Behind the scenes, Dick has made a huge impact in the Orange County high school baseball community and they are forever grateful,” the program message noted.

Advice from scout

Before the game, Texas Rangers national pro scout Taylor Cameron congratulated the players for being in the game and wished them well in the game. Players from both teams were on hand for the talk.

Big player turnout

Players from Fountain Valley Tyler Peshke and Mikey Patterson along with Santa Margarita players Gavin Spiridonoff, Ben Finnegan and Brennan Bauer were at the game Wednesday. Bauer pitched in the seventh inning for the South.

Fountain Valley and Santa Margarita both lost games in the CIF So Cal Regional Wednesday afternoon but the players wanted to take part in the all-star game that night. Mater Dei players Lawson Olmstead and Brannon Thomas were also there, one day after the Monarchs lost in the regional.

Under CIF rules, players selected for the all-star game could not play if their teams were still competing in the So Cal regionals.

“They wanted to go out and enjoy the experience together and be able to get out there and play a little bit and have a little bit of fun,” said South assistant Chris Malec, head coach at Santa Margarita.

“Our season at Santa Margarita was awesome. The kids went through a lot through the course of the year, some ups and downs but ultimately continued to make an incredible run and play in an incredible atmosphere through the finish and I couldn’t be more proud of who our guys are and how they represented our school and our community.”

Barons represented

Fountain Valley players Mikey Patterson, a second baseman and Tyler Peshke, a pitcher and infielder, said they were honored to be selected for the game.

“Honestly, I’m really excited, it’s a great group of guys out here,” Patterson said in an interview before the game. “I’m real excited to see everybody play and meet new people and I’m super stoked.”

Patterson plans to play at Cerritos College next season.

“It’s obviously an honor with all these other guys out here, there is so much history in the game with all the other guys who have played in the game before me, I’m just excited,” added Peshke.

Peshke will also play at Cerritos College next season.

Reporters’ reflections

Jacob Ramos and Adam Kunin of OC Sports Zone covered their first OC all-star baseball game and shared their thoughts:

Jacob Ramos: “My favorite memory from Wednesday’s OC All-Star Game was being able to celebrate the talent that comes through Orange County baseball every year. Seeing the names and faces on the promotional poster and knowing that so many of the players I had the privilege to cover on Wednesday will go on to have successful careers was an amazing feeling. I loved shooting for the game but also enjoyed talking to Jarett Sabol (Aliso Niguel) about what’s next as he prepares for collegiate baseball at USC.

“Overall, it was an amazing experience and one of my favorites of all-time while working for OC Sports Zone. Baseball and sports are sacred and should be celebrated whenever possible. I’m grateful for the Ryan Lemmon Foundation, the City of Irvine, the OC Riptide and every team/player/program coordinator who allowed the day to come together and and gave us such great access to showcase the talent on-field.”

Note: Jacob, who joined OC Sports Zone in April, is entering his senior year at UCI. He is majoring in criminology, law and society. He has been the beat writer for New U covering UCI men’s basketball.

Adam Kunin: “The on-site staff welcomed us with open arms and made the whole experience enjoyable. My favorite memory from the night was getting to talk to some of the standout players about their experience at the OC-All Star Game.

“After the game, I had the opportunity to speak with South team MVP Jarett Sabol, North team MVP Trevor Goldenetz and Hustle Award winner Miles Scott. They were all well-spoken individuals who treated us with great care and compassion. I have no doubt that they all have bright futures ahead.”

Note: Adam joined OC Sports Zone as a summer intern in May. He will be entering his junior year at Arizona State University, majoring in journalism. He has also covered numerous sports at ASU and is editor in chief of Inferno Intel, a student run publication covering sports.

OC SPORTS ZONE TEAM: Jacob Ramos and Adam Kunin of OC Sports Zone also covered the all-star game. Jacob had an in-depth interview with South MVP Jarett Sabol and took action photos for the main story. Check out post-game interviews on X by Adam, who also provided updates.

RELATED:

—Tim Burt, OC Sports Zone; timburt@ocsportszone.com



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Uber driver sentenced for deadly downtown Portland road rage shooting

Friday’s sentencing hearing included emotional testimony from the victim’s family, who described Ryan Martin as a loving father, devoted husband and dear friend. PORTLAND, Ore. — A Multnomah County judge sentenced an Uber driver to life in prison with the possibility of parole after 30 years for shooting and killing one man and wounding another […]

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Friday’s sentencing hearing included emotional testimony from the victim’s family, who described Ryan Martin as a loving father, devoted husband and dear friend.

PORTLAND, Ore. — A Multnomah County judge sentenced an Uber driver to life in prison with the possibility of parole after 30 years for shooting and killing one man and wounding another in a road rage incident in downtown Portland.

In May, a jury convicted Geoffrey Hammond of second-degree murder and attempted murder.

Hammond was convicted of assault and unlawful use of a firearm in an earlier trial, but a lone holdout on the jury resulted in a mistrial on the murder and attempted murder counts. Prosecutors tried him again on just those two charges.

Friday’s sentencing hearing included emotional testimony from the victim’s family, who described Ryan Martin as a loving father, devoted husband and dear friend.

Prosecutors said Hammond shot 47-year-old Ryan Martin after a brief confrontation in downtown Portland in October 2023. Hammond was working as an Uber driver when he pulled up to the Moxy hotel. Surveillance video showed the two men interact for just a few seconds before Hammond shot Martin, who was unarmed. Martin died at the scene.

Moments later, Hammond shot another man who was recording the incident on his cell phone. That man survived the shooting. Hammond later told police he acted in self-defense.

During Friday’s sentencing hearing, Martin’s family asked the judge to impose the maximum sentence and shared the profound impact of their loss.

“Some things cannot be fixed, and this is one of them. What I have learned the hard way, way far too young, is that there is immense pain in this world caused by people like you,” said Emily Martin, Ryan’s daughter, addressing Hammond.

The victim’s family spoke of Ryan Martin as a musician, skilled electrician and youth sports coach whose absence has left an irreparable void.

“No matter what the outcome is today, our family will walk out of here without Ryan in our lives, but at least we will have some comfort in knowing that the person who not only took our Ryan Earl Martin will be where he deserves, but that no one else will suffer the loss our family has,” said Stephanie Martin, Ryan Martin’s wife.

Hammond declined to make a statement during the sentencing hearing.



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State Leaders Continue Push For Universal Pre-K

State Leaders Continue Push For Universal Pre-K | WPKY Mozilla/5.0 (iPhone; CPU iPhone OS 18_5 like Mac OS X) AppleWebKit/605.1.15 (KHTML, like Gecko) Version/18.5 Mobile/15E148 Safari/604.1 0e3f3aa31baba6b01cee4e414a12e125583267fd 1 Link 1

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State Leaders Continue Push For Universal Pre-K | WPKY






























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A Youth Infusion: By telling Gen Z stories, Broadway has found its younger audience | News, Sports, Jobs

This image released by Polk & Co. shows Rachel Zegler as Juliet, left, and Kit Connor as Romeo, during a performance of “Romeo + Juliet” in New York. (Matthew Murphy and Evan Zimmerman /Polk & Co. via AP) NEW YORK — Kimberly Belflower knew “John Proctor is the Villain” needed its final cathartic scene to […]

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This image released by Polk & Co. shows Rachel Zegler as Juliet, left, and Kit Connor as Romeo, during a performance of “Romeo + Juliet” in New York. (Matthew Murphy and Evan Zimmerman /Polk & Co. via AP)

NEW YORK — Kimberly Belflower knew “John Proctor is the Villain” needed its final cathartic scene to work — and, for that, it needed Lorde’s “Green Light.”

“I literally told my agent, ‘I would rather the play just not get done if it can’t use that song,’” the playwright laughed. She wrote Lorde a letter, explaining what the song meant, and got her green light.

Starring Sadie Sink, the staggering play about high schoolers studying “The Crucible” as the #MeToo movement arrives in their small Georgia town, earned seven Tony nominations, including best new play — the most of any this season. It’s among a group of Broadway shows that have centered the stories of young people and attracted audiences to match.

Sam Gold’s Brooklyn-rave take on “Romeo + Juliet,” nominated for best revival of a play and led by Kit Connor and Rachel Zegler with music from Jack Antonoff, drew the youngest ticket-buying audience recorded on Broadway, producers reported, with 14% of ticket purchasers aged 18-24, compared to the industry average of 3%.

The shows share some DNA: pop music (specifically the stylings of Antonoff, who also produced “Green Light”), Hollywood stars with established fanbases and stories that reflect the complexity of young adulthood.

This image released by O&M/DKC shows, from left, Maggie Kuntz, Morgan Scott, Fina Strazza and Amelia Yoo during a performance of “John Proctor Is the Villain” in New York. (Julieta Cervantes/O&M/DKC via AP)

“It was very clear that young people found our show because it was doing what theater’s supposed to do,” Gold said. “Be a mirror.”

Embracing the poetry of teenage language

The themes “John Proctor” investigates aren’t danced around (until they literally are). The girls are quick to discuss #MeToo’s impact, intersectional feminism and sexual autonomy. Their conversations, true to teenage girlhood, are laced with comedy and pop culture references — Taylor Swift, Beyonce, “Twilight,” and, of course, Lorde.

Fina Strazza, 19, portrays Beth,

a leader who is whip-smart and well

Alyah Chanelle Scott,from left, Kathryn Gallagher and Julia Lester appear in a scene from “All Nighter” in New York. (Evan Zimmerman/MurphyMade via AP)

-intentioned — but whose friendships and belief system are shaken by the play’s revelations.

“You have so much empathy and are so invested in her, but she still has these mishaps and slip-ups that young people often have,” said Strazza, nominated for best featured actor in a play. Some audience members have given her letters detailing how Beth helped them forgive themselves for how they handled similar experiences.

The script is written in prose, with frequent line breaks and infrequent capital letters. Director Danya Taymor, nominated for best direction of a play a year after winning a Tony for another teenage canon classic, “The Outsiders,” was drawn to that rhythm — and how Belflower’s depiction of adolescence captured its intensity, just as S.E. Hinton had.

“There’s something about the teenage years that is so raw,” Taymor said. “None of us can escape it.”

Classic themes, made modern

This image released by O&M/DKC shows, from left, Amelia Yoo, Morgan Scott, Sadie Sink, Fina Strazza, Nihar Duvvuri and Hagan Oliveras during a performance of “John Proctor Is the Villain” in New York. (Julieta Cervantes/O&M/DKC via AP)

During his Tony-winning production of “An Enemy of the People,” Gold found himself having conversations with young actors and theatergoers about climate change, politics and how “theater was something that people their age and younger really need in a different way, as the world is becoming so addicted to technology,” he said.

That conjured “Romeo and Juliet.” The original text “has it all in terms of what it means to inherit the future that people older than you have created,” Gold said.

Building the world of this show, with an ensemble under 30, was not unlike building “An Enemy of the People,” set in 19th century Norway, Gold said: “I think the difference is that the world that I made for this show is something that a very hungry audience had not gotten to see.”

Fans, Gold correctly predicted, were ravenous. Demand ahead of the first preview prompted a preemptive extension. Word (and bootleg video) of Connor doing a pullup to kiss Zegler made the rounds. “Man of the House,” an Antonoff-produced ballad sung by Zegler mid-show, was released as a single. With the show premiering just before the U.S. presidential election, Voters of Tomorrow even registered new voters in the lobby.

Audiences proved willing to pay: Average ticket prices hovered around $150. Cheaper rush and lottery tickets drew lines hours before the box office opened. Every week but one sold out.

This image released by Polk & Co. shows Rachel Zegler as Juliet, right, and Kit Connor as Romeo, during a performance of “Romeo + Juliet” in New York. (Matthew Murphy and Evan Zimmerman /Polk & Co. via AP)

“The show was initially really well sold because we had a cast that appealed to a really specific audience,” said producer Greg Nobile of Seaview Productions. “We continued to see the houses sell out because these audiences came, and they were all over online talking about the ways in which they actually felt seen.”

Building a Gen Z theater experience

Thomas Laub, 28, and Alyah Chanelle Scott, 27, started Runyonland Productions for that very reason.

“We both felt a lot of frustration with the industry, and the ways that we were boxed out of it as students in Michigan who were able to come to New York sparingly,” Laub said. Runyonland was launched in 2018 with the premise that highlighting new, bold voices would bring change.

This spring, Scott, known for playing Whitney in HBO’s “Sex Lives of College Girls,” acted off-Broadway in Natalie Margolin’s “All Nighter.”

This image released by O&M/DKC shows, from left, Maggie Kuntz, Morgan Scott and Amalia Yoo during a performance of “John Proctor Is the Villain” in New York. (Julieta Cervantes/O&M/DKC via AP)

“I was standing onstage and looking out and seeing the college kids that I was playing,” Scott said. “I was like, ‘I respect you so much. I want to do you proud. I want to show you a story that represents you in a way that doesn’t belittle or demean you, but uplifts you.’”

Producing “John Proctor,” Scott said, gave Runyonland the opportunity to target that audience on a Broadway scale. Belflower developed the show with students as part of a The Farm College Collaboration Project. It’s been licensed over 100 times for high school and college productions. The Broadway production’s social and influencer marketing is run by 20-somethings, too.

Previews attracted fans with a $29 ticket lottery. While average prices jumped to over $100 last week (still below the Broadway-wide average), $40 rush, lottery and standing room tickets have sold out most nights, pushing capacity over 100%. The success is validating Runyonland’s mission, Laub said.

“Alyah doesn’t believe me that I cry every time at the end,” Laub said. Scott laughs. “I just want to assure you, on the record, that I do indeed cry every time.”

Harnessing a cultural catharsis

The final scene of “John Proctor” is a reclamation fueled by rage and “Green Light.” Capturing that electricity has been key to the show’s marketing.

“The pullup (in ‘Romeo + Juliet’) is so impactful because it’s so real. It’s like so exactly what a teenage boy would do,” Taymor said. “I think when you see the girls in ‘John Proctor’ screaming … it hits you in a visceral way.” That screaming made the Playbill cover.

“In my opinion, the look and feel of that campaign feels different from a traditional theatrical campaign, and it feels a lot closer to a film campaign,” Laub said. The show’s team indeed considered the zeitgeist-infiltrating work of their sister industries, specifically studios like Neon and A24.

In May, “John Proctor is the Villain” finished its second “spirit week” with a school spirit day. Earlier events included an ice cream social — actors served Van Leeuwen — a silent disco and a banned book giveaway. For those not in their own school’s colors, the merch stand offered T-shirts, including one printed with the Walt Whitman-channeling line said by Sink’s Shelby: “I contain frickin’ multitudes.”

Julia Lawrence, 26, designed the shirt after the show’s team saw her TikTok video reimagining their traditional merch into something more like a concert tee.

“It’s just so incredible to bring Gen Z into the theater that way, especially at a time when theater has never been more important,” Lawrence said. “In a world that’s overpowered by screens, live art can be such a powerful way to find understanding.”

This image released by O&M/DKC shows Sadie Sink, left, and Amalia Yoo during a performance of “John Proctor Is the Villain” in New York. (Julieta Cervantes/O&M/DKC via AP)



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LaMARC Program in Lafayette empowers youth to help prevent juvenile crime

LAFAYETTE, La. — The Louisiana Multi-Agency Resource Center (LaMARC) is hoping to equip local children with the tools, resources and support they need to avoid entering the juvenile justice system. The program wants to intervene before it’s too late. “This is our diversion program, and it’s to curtail some of the crime that is happening […]

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LAFAYETTE, La. — The Louisiana Multi-Agency Resource Center (LaMARC) is hoping to equip local children with the tools, resources and support they need to avoid entering the juvenile justice system. The program wants to intervene before it’s too late.

“This is our diversion program, and it’s to curtail some of the crime that is happening in some these area. We see the different things that are happening, but the LaMARC is here in this community to help our kids become better,” Nicolette Gordon, public information director for the Louisiana Office of Juvenile Justice, told KATC.

The event featured a crawfish boil to express gratitude to everyone who contributes to the agency’s success and to celebrate the positive impact of the program.

“We’re seeing some really great numbers,” said Gordon.”They’re coming in, finding out that we have great resources, great counselors and great directors to help them strive.”

Among the program’s participants is 12-year-old Kayton Celestine, who shared his journey of improvement.

“It builds up knowledge and courage. Like a year ago, I was like, I don’t want to say bad but good at the same time, but like now I’m fully good. Now, I do good in school,” Celestine said.

For those like Celestine who may find themselves on a similar path in life, he had a message.

“Y’all don’t need to come to this program if you’re being good,” he said. “If y’all do, do your best.”

A community closet is also available at 2100 Jefferson Street, where the LaMarc program operates. The closet is named after 22-year-old Parker Anthony Romero, who died in a car crash last year.

The closet is open to any youth in the area who need food, personal hygiene items, clothes or shoes.





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